Coming in February, my novel, The Triunix of Time, will be on sale here on my blog. See details below.
Format: Paperback
Price: $12.50 – This is HALF OFF the regular price of $25.00 on Amazon.
Special Feature: Each book will be a signed copy.
Tag: Writing
Inspiration
What inspires you? Is it a beach somewhere? Is it on a balcony overlooking palm trees and a beautiful garden? Is it on your couch at home in the comfort of your living room and your imagination? I’ve done my story writing at my kitchen table a few times, but truthfully, it’s difficult for me to be creative that way. I love being comfortable, so on my couch it is. If I’m writing while at a beach or outside at a park, I’d rather take my writing journal and put pen to paper. We all have our preferred modes of writing. What’s yours?
Another way to find inspiration is to use Pinterest. Yes, Pinterest. I do this. I have private boards for my fiction writing use. In each of these private boards I have sections for each type part of my story I’m working on.
These sections include:
- Setting
- Characterization
- Artifacts
- Vintage clothing
- Gems
For great information on how use Pinterest for your writing, click the 4:45 minute YouTube link below.
I would love to hear about what inspires you and what your favorite places to write are, so please feel free to comment.
Knowing
We’ve all heard the mantra ‘write what you know’. Well, what do you know? You might get stuck here, and the reason I say this is because you may not think you know enough. Trust me when I say, you do. You have a whole lifetime of experience to use in your writing. You don’t necessarily need to know anything about any one thing in order to write what you know.
In my book The Triunix of Time I have lots of real life experiences included in the story. No, I’m not going to tell you which ones (LOL). There is also included in the story dialogue from conversations I had with others; snippets. Then, the icing on the cake, embellishment. Yes, use what you know and have fun fictionalizing it and building on it.
Here’s an example:
We’ve all had at least one favorite summer; maybe more than one. What made that summer your favorite? Maybe you spent it at the beach most often and you met a new friend, or maybe you spent two weeks of it with a cousin on a farm. Yes, lets use the farm experience. Cousins are a lot of fun. If you have cousins, and I’m sure you do, you know what I’m talking about here. Let’s say you want to write a mystery, but you don’t know what to use as it pertains to setting, characters, etc. Use your experience with your cousins on their farm. Let’s say you and your cousin found a wallet in the barn while cleaning the stalls. It ended up being your uncle’s wallet. Let’s fictionalize that a bit. Maybe you and your cousins were in your early teens. Write a YA mystery involving a bag of wallets you found in a hay loft in a small barn you were both told to stay out of. You were caught by your uncle’s friend when he walked in and heard someone up in the loft. You and Johnny in your haste put the bag of wallets back in a rush and call out. “Just getting some hay for the horses’ stalls.” And on the story would go. Do you see how you could create something wonderful from one experience? By the way, feel free to steal this idea.
Filler Words
Those pesky filler words don’t need to be there. Get them out of your writing. You just don’t need them. They only serve to take away from and weaken your story. If you think you even need them, think again. We always think we know best. Trust me, we don’t.
The above paragraph has filler words in them. They’re the ones in bold face print. I put them in there on purpose to prove a point. To prove my point, I’m going to retype it and take them out. You’ll see how much better it sounds.
Those pesky filler words don’t need to be there. Get them out of your writing. You don’t need them. They serve to take away from and weaken your story. If you think you need them, think again. We think we know best. Trust me, we don’t.
Sometimes you will need to use them. After all, they are part of the English language and they are there for a reason. The problem is we tend to use them to much. When they’re used too much, that’s when they weaken your writing. When I was editing my novel The Triunix of Time, I had a list of these words to look for in my story. I went through my book and looked for each one of them one at a time and checked them off as I finished with one, then I went on to the next. Don’t worry, I used the Find option in Microsoft Word. It found them all in an instant. As it turned out, I initially used the word just 350 times. Talk about over use. Please see the grid below for a list of the most used filler words.
So, how do you know you need to use them? Say the sentence without the filler word in it. If it still makes sense, you don’t need it.
If you have any questions please feel free to message or email me. I enjoy helping others with their writing.
The Triunix of Time
Adverbs
Those pesky adverbs can be a real bear. Lately I’ve read some great fiction. The story drew me in, the characters were memorable, the description was detailed without being to much. I loved it. But then throughout the experience there were stopping points. Yes, stopping points. What were these stopping points? They were ADVERBs. Turn an adverb into action. Note the difference below:
Example 1:
Ok
a. He walked quickly down the street, his footing unsure.
Better
b. He rushed down the street, his footing unsure.
Example 2:
Ok
a. John was painfully digging in his backpack for his wallet, when he didn’t feel it in his pocket.
Better
b. John plunged into his backpack for his wallet, when he didn’t feel it in his pocket.
As you can tell in both examples, b. is the better option. We see the actions better and their impact packs more of a punch.
REAL Characters
In a previous article I wrote about creating characters for your story. I mentioned in that article that your characters must be as unique as possible. I also illustrated two lists of characteristics a writer can use to create characters. I am going to list them again here as a reference for you. There is a good reason, I promise.
- Eye color
- Hair color
- Height
- Weight
- Ethnic heritage
- Age
- Birth date
- Religious beliefs
- Hobbies
- Favorite color
- Physical description
- Political beliefs
- Favorite music
- Style of dress
- Educational background
- Description of home
- Contents of wallet (this can say a lot about a person)
- Habits
Digging Deeper
- Strong character trait
- Weak character trait
- Best childhood memory
- Worst childhood memory
- One line summary of their personality
- What triggers certain moods
- What is their ambition
- Sense of humor
- What is his/her greatest hope
- Character’s paradox
- Character flaw
- How does he/she see himself or herself
- Philosophy of life
My goal in this article is to discuss HOW to use these traits to make your characters memorable and standout; to make them real. First, it’s one thing to describe in a story what a character’s traits are. It’s quite another to put this description to action. See examples below.
eg. 1. John had brown hair and blue eyes.
eg. 2. John swept his fingers through his brown, sweaty hair. He had been running the better part of an hour. His breathing labored, so he bent forward, leaning his hands on his knees. He blinked his blue eyes as sweat seeped into them. No matter though. The runners high is what he strove for, and he accomplished that.
As you can understand, example 2 gives a clearer picture of John. It makes him stand out as a human because we “see” him, and we come to know that he enjoys the sport of running. We readers can identify with him and how he’s feeling. Here is another quick example. Say your main character has a habit of cracking his/her knuckles. Don’t just mention in the story that they do this. Use this habit in an action. Maybe he/she cracks their knuckles when their nervous, or maybe it helps them think more clearly. Hey, you never know.
Another way we can use character traits to make characters real is to make one of those traits part of the story itself. Take religious beliefs for example. Maybe your story is about two people who are at odds with each other because of their religious beliefs. In the end they make it work somehow. Or, your main character may have a unique sense of humor. Work this into the plot. Use it to distract the antagonist at some point. Again, you never know.
Lastly, I’d like to hit on character flaw. THIS is a trait that every protagonist (and antagonist) must have. It’s what moves your main character forward and helps with their inner growth. I’m referring to the character arch here. The protagonist could have a character flaw such as being severely stubborn, to the point that their stubborness gets in the way of them accomplishing their goals. Yes, your MC will learn how to overcome this by the end of the story (that topic is for another blog post). BUT, it also makes them more real, allowing he/she to stand out.
In closing, how well we depict our characters in our stories depends on how we use their information to their advantage. Rich, well “seen” story people will give your reader a reason to come back to the story and want more. So, let’s give them something they will never forget.
Writer’s Block
What do you write when you don’t know what to write? You can know what your story is about, but you aren’t able to put words on paper. Why? This article will seek to answer this question and give you ways to find your words again.
You’re sitting at your computer, and your typing away. The words are flowing and your mind is driven. You get to the end of the scene/chapter and you feel a sense of exhilaration because you’ve accomplished something. You’ve made progress. You’re in that writer’s zone. Eager to move on with the next scene/chapter, you move to the next screen and type the scene/chapter number, hit enter and stop. Your brain says, ‘huh’? So you sit there thinking about what you should write next. You can’t think of anything. Ideas may come but you push them aside because you feel they aren’t good enough, or perfect enough. This is the left side of your brain getting in the way of progress. Don’t let it do that. Forge ahead. Write anyway even if it isn’t perfect.
Reasons For the Block and How to Get Passed Them
- As mentioned above, the left side of your brain, the analytical side, gets in the way. It can be difficult to shut this part of your head down, but you need to do it. This has happened to me on a number of occasions. What I did was write anyway, even if what I wrote wasn’t any good. Later you can go back and change it, and who knows, this may spur on more and better ideas. Brainstorming also works, and sometimes you just need to work on the development of the story itself. I keep a binder with tabbed sections for various literary items, such as Character, Setting, World Building, Brainstorming, just to name a few. Writing in your binder, or whatever you keep, can create ideas as well. Read the following book by Henriette Anne Klauser called Writing on Both Sides of the Brain: Breakthrough Techniques for People Who Write. This book helped me tremendously. See link below.
https://www.amazon.com/Writing-Both-Sides-Brain-Breakthrough-ebook/dp/B08537CTS1/ref=sr_1_2?crid=6XIUORJS0SZE&dchild=1&keywords=writing+on+both+sides+of+the+brain&qid=1600447565&s=digital-text&sprefix=Writing+on+both+si%2Cdigital-text%2C222&sr=1-2 - Indecision. Maybe you have 2 or 3 or more possible ideas regarding what should come next, but you don’t know which one to choose. This is a great time to stop writing and start evaluating. Yes, I said it. You’ll have to use the left side of your brain here. Write each idea down on a note card and place them in front of you. Think about what you’ve written thus far and decide which idea will move your story forward to where you want it to go. Does this mean you have to scrap the other ideas you don’t use? No, not at all. Save them for later.
- You finished your thought process. This is huge. Another author told me she doesn’t ever get writer’s block. When I asked her why, she said she doesn’t stop writing at the end of a scene/chapter. She stops writing for the day in the middle of a scene where it is easy to pick up on the movement of the story the next day. So she doesn’t allow her thought process for the story to stop when she stops. I hope this makes sense. There is just one problem with this though. You will come to the end of that scene/chapter eventually, which means you might get hit with reasons 1 and 2 above.
- Ordering of story information. Stories are written with the three act structure in mind. Act I: Backstory, Act II: The Chase/The Attach, Act III: Resolution. Certain types of information belong ONLY in their perspective acts. Put the wrong type of information into the wrong act, and your story will be thrown way off. The result of this can lead to writer’s block. How do you combat this? There is a book I HIGHLY recommend. See below. I’ve provided the link in case you are interested in purchasing.
Story Engineering by Larry Brooks
https://www.amazon.com/Story-Engineering-Larry-Brooks-ebook-dp-B004J35J8W/dp/B004J35J8W/ref=mt_other?_encoding=UTF8&me=&qid=1600447148
In the end your story will work out. It’s not the road you travel, it’s how you travel along that road that matters. You’ll get there.
Uniqueness
What do you bring to your writing? This question has an answer, but it might not be known to us right away. It’s something we may need to think about. I believe it’s subconscious, and on that level something goes into our writing that we aren’t aware of. I call this our unique inner signature…. a writing signature.
Now you might call this style. And you’re right. It is our style. It’s a writing style DNA. About a year and a half ago, I took a class called Keys to Effective Editing. In this class the instructor discussed how, when you’re editing someone else’s work, you have to be careful not to alter the meaning/style of the author. In other words, don’t make it your own. In a nutshell, when you are editing someone else’s writing, edit with great care.
As a beginning writer, you might not know your style, or uniqueness, yet. It’s something that you grow into. The word flow might not be there yet. Not to worry, it will come with time and practice. Something you could try is to write down what makes you, you. Spoiler alert, this may take some thought on your part. We are good at critiquing others, but when it comes to ourselves, it isn’t as easy. To save time, ask someone else what makes you unique. Ask someone to critique your writing style. This is how I learned more about myself as a writer because it allowed me to reflect on their words, then look at my writing, and then grow from there. You can too.
Legs
(How many of you can relate to a story like this?)
I laughed at the comedy on TV. It was welcoming because I hadn’t gotten into a program in a long time.
Work, crafts, writing, they all had taken my time lately. But that’s ok. I’d rather do those things than spend all of my time watching television. A good brain workout doing other things than TV was better anyway. Then it happened.
The brown, hairy, eight legged thing revealed itself as I threw my head back in laughter once again. Damn, there was always something that had to spoil the fun. And just when no one else was here to kill it for me. I pursed my lips together wondering how I was going to do this. The way I saw it, I had one of two choices. I could sit and stare at it until my husband got home…….six hours from now, or I could face this and get it myself. Neither option appealed to me. Of all the places it could be, the ceiling. The only choice I had was the fly swatter.
With the fly swatter in hand, I steadied it below where said spider was. I was still too short. Damn! I trudged over to the step stool and placed it just to the right of where that ugly thing sat. I stepped up. Now I was too close. I shot out a breath. “Well, this has to be done for my own peace of mind.” I looked up and hunkered down out of its way just in case it fell. I didn’t want it dropping on me. Steadying the fly swatter just below the spider, I paused. Then, smack. But, instead of pulling the fly swatter away, I left it there, moving it back and forth to make sure I had killed it.
I stepped down off the stool and released the fly swatter at the same time. Peering down at the brown blob on top of it, I breathed a sigh of relief.
