Have you ever wondered what a story/movie would be like if there were no clashing forces going against the main character? It would be boring to the point there would be no story. Not really anyway. Believe it or not villains create that extra zing of emotion for the reader/viewer to the point we sometimes feel as though we’re in the story/movie.
I finished reading a book a few days ago that had me talking back to the characters, and I mean saying things like, “Really? Don’t you see it has nothing to do with terrorism?” At one point I said, “Oh my gosh, this author.” My husband asked, “What?” To which I responded with, “The author drug this out way to much.” Actually, the author did his job, and he did it well. The villains were smug, very smug, and they thought they had everything going the way they wanted it to. Well, they did. The reader (this reader) wanted them to get what was coming to them (and they did eventually). That folks is story, suspense, emotion building writing.
So remember….when you are creating your villains, make sure to give them lots of tender loving care. You want them to connect with the reader too.
The book I spoke of above is linked below just in case you might want to read it. It’s book 5 in the Alton Blackwell Files series by Steven F. Freeman.
Typically there are six types of conflict. The one I’m addressing today is:
PERSON vs. PERSON
This type has to do with conflicts between characters. It could be a conflict between heroes, between hero and villain, between sparring lovers, or between two neighbors. There are others, but we’ll pick on these four.
Story Examples 1. Hero vs. hero: Captain America: Civil War 2. Hero vs. villain: Any of the Harry Potter movies/books. The seventh book comes to mind though because that holds the ultimate battle between hero and villain. Harry Potter and the Deathly Hallows 3. Between sparring lovers: The movie Crazy, Stupid, Love 4. Between two neighbors: The movie Deck the Halls
In a previous article I wrote about creating characters for your story. I mentioned in that article that your characters must be as unique as possible. I also illustrated two lists of characteristics a writer can use to create characters. I am going to list them again here as a reference for you. There is a good reason, I promise.
Style of dress
Description of home
Contents of wallet (this can say a lot about a person)
Strong character trait
Weak character trait
Best childhood memory
Worst childhood memory
One line summary of their personality
What triggers certain moods
What is their ambition
Sense of humor
What is his/her greatest hope
How does he/she see himself or herself
Philosophy of life
My goal in this article is to discuss HOW to use these traits to make your characters memorable and standout; to make them real. First, it’s one thing to describe in a story what a character’s traits are. It’s quite another to put this description to action. See examples below.
eg. 1. John had brown hair and blue eyes. eg. 2. John swept his fingers through his brown, sweaty hair. He had been running the better part of an hour. His breathing labored, so he bent forward, leaning his hands on his knees. He blinked his blue eyes as sweat seeped into them. No matter though. The runners high is what he strove for, and he accomplished that.
As you can understand, example 2 gives a clearer picture of John. It makes him stand out as a human because we “see” him, and we come to know that he enjoys the sport of running. We readers can identify with him and how he’s feeling. Here is another quick example. Say your main character has a habit of cracking his/her knuckles. Don’t just mention in the story that they do this. Use this habit in an action. Maybe he/she cracks their knuckles when their nervous, or maybe it helps them think more clearly. Hey, you never know.
Another way we can use character traits to make characters real is to make one of those traits part of the story itself. Take religious beliefs for example. Maybe your story is about two people who are at odds with each other because of their religious beliefs. In the end they make it work somehow. Or, your main character may have a unique sense of humor. Work this into the plot. Use it to distract the antagonist at some point. Again, you never know.
Lastly, I’d like to hit on character flaw. THIS is a trait that every protagonist (and antagonist) must have. It’s what moves your main character forward and helps with their inner growth. I’m referring to the character arch here. The protagonist could have a character flaw such as being severely stubborn, to the point that their stubborness gets in the way of them accomplishing their goals. Yes, your MC will learn how to overcome this by the end of the story (that topic is for another blog post). BUT, it also makes them more real, allowing he/she to stand out.
In closing, how well we depict our characters in our stories depends on how we use their information to their advantage. Rich, well “seen” story people will give your reader a reason to come back to the story and want more. So, let’s give them something they will never forget.