Category: Plot/Story

Posted in Plot/Story

Creating Empathy

Posted on by L. M. Montes

On October 6, 2021 I wrote a blog post entitled Connections. Toward the end of the article I talked about a character, Mary, who was in a heated argument with her boyfriend as they were walking along. They had come to an area or clearing where the sunset could be seen much better in all of its glory. The boyfriend didn’t notice it. He could’ve cared less, but Mary noticed it and enjoyed it so much that for a moment she forgot about the argument. In this post I said that the sunset itself had nothing to do with the issue at hand, which was the argument. It was a random occurrence. But it had everything to do with creating empathy for the character of Mary. Add to this the dialogue between the two. Maybe Mary’s boyfriend said something nasty to her. The reader will be affected by these words to in that they will feel for her/have empathy for her. Mary may not be hurt by his words, but the reader will feel for her anyway. Well, most readers anyway.

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Creating empathy for your characters is what draws your readers further into your story. Feelings, as we all know, have a strong connection to empathy. The two go hand in hand. As a side note, not everyone feels empathy, so don’t worry if your characters don’t connect with some readers. It’s just the nature of the beast.

Empathy, or even lack thereof, also gives incite into your character’s personality. In the above scenario we come to understand that Mary loves the beauty of sunsets even in the face of angst. It also hints towards her sensitivity. In addition, deep down she doesn’t let something like an argument with her boyfriend get to her. This indicates strength to get through it and not dwell on it. It could also indicate she feels as though the situation between her and her boyfriend will get resolved. The point being, in the ugly face of an argument, she saw beauty.

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What drives the feelings within your characters? The situations they are thrust up against. Let’s say we have a character named Jack. He’s 31 years old, a successful corporate lawyer, and married with one child. He finds out his wife is cheating on him. Over the eight years they’ve been married, he has given his wife everything. He supports her in all that she enjoys doing. There isn’t anything that indicated to him that she had been unfaithful. Until he walks in on his wife and her lover when he comes home to surprise her (I know. This is a typical scenario, but it works for the point I’m trying to make). Already the reader feels empathy for him, and we haven’t gotten to how he is feeling yet. Although, his feelings will be interspersed throughout the scenario anyway.

Everything, the feelings and situations, even the words characters say to one another can create empathy within your readers. They will be pulled into your story. You want this. Of course, there are other ways besides creating empathy that can pull a reader in as well. Here again, that’s another blog post.

Posted in Plot/Story

Story Trees

Posted on by L. M. Montes

The beauty of a tree is intricate. There are so many parts, yet they are all part of one trunk. Everything comes together to make up the whole. We see the individual parts, but we also see the one.

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Stories work much the same way. There is one main story, but within it are ‘branches’ or ‘offshoots’ of smaller stories that, when you put them all together, make up the main story. The end result is one story with many parts within it. They all connect. With a tree if you take a part of it and replant it, it grows into another tree. The same applies to a story. If you take a part of the story, you can create another story.

Posted in Plot/Story

Developing Story Ideas

Posted on by L. M. Montes

Steps to developing your story ideas don’t have to be difficult. Here are some ways to do this.

Create a Character

Describe his/her physical attributes, personality, their likes and dislikes. You can include their race and ethnicity. What is their job? What other details about them are there?

Identify Your Character’s Desire

What is it specifically that drives your character into action?

Choose a Resistance

What or who will stand in your character’s way?

The Change

Decide on how your character will grow throughout the story.

Captivating Settings

What is going on in and around your character’s world?


Putting it all together

When you first start your story idea, the above will work as a guideline. Jot down some ideas in a journal or notebook for each of the above areas to get yourself started. Then go back and develop each area in more detail. Continue this process until you have enough details written in each of the above areas to bein your story. However, when you begin writing, your story will be up to you. Everybody is different. You may not need many details to start, but others will.

Posted in Plot/Story

Continuity

Posted on by L. M. Montes

Let’s say you are writing a novel or something shorter such as a novella. As you’re writing chapter 20, you forget about some details you wrote in chapter 3 or maybe 4. Because you forgot what was in chapters 3 or 4, the information you write in chapter 20 about the same details may be contradictive. Maybe this is happening in different places throughout your book (these are called plot holes or inconsistencies). There are three ways you can fix this.

  1. Keep track of the information in each chapter on note cards and keep them handy as you write.
  2. Don’t worry about fixing them until you finish your first draft, then go back to the beginning and read each chapter, keeping track of the details as you go by writing little notes in the side margins on what information needs to be fixed. Then fix them.
  3. Have another person in addition to yourself read your first draft to look for these issues.

If you don’t fix plot holes, your readers will end up not being very happy with you. You want to make sure the read for them smooth. You don’t want them to have to stop and wonder.

Posted in Plot/Story

Connections

Posted on by L. M. Montes
Photo by Mike on Pexels.com

Bridges, websites, people, situations, events. What do all of these things have in common? They all have an opportunity to link. Whether the link is two shores connected by a bridge, a website that connects us to information, two people having a lot in common, or two or more situations or events having some kind of link/connection between them; they all allow for a connection in some way.

So too are the events, situations, and people within your story. How are they connected? How will you connect them? The answers to these questions only you can answer because it’s your story(s). A good way to check and make sure that the parts of your story connect is to ask yourself why something is happening. If they connect and have something to do with your story, that’s great. That’s what you want. But if they don’t, and they sound disjointed, ask yourself what is it you can do to bring them together. Otherwise, it sounds like random information that has no place in your story. The result is a confused reader.

On the other hand, some random events shed some light on something else. For example, Let’s say you have Mary who is with her boyfriend Charles. They are in the middle of a heated discussion as they are walking down the street. Charles is speaking to Mary, but a beautiful sunset caught her attention as they are walking by an open area that displays a beach in the distance. Charles could care less about the sunset. He is more focused on the discussion (even though she points out the sunset).

In the above example, the sunset plays no part in the story itself. It’s random. BUT, what it DOES do is give the reader insight into the character of Mary. Thus, making a connection between the character of Mary and the reader. That’s good. You want that. It creates empathy. But that’s a whole other blog post.