Tag: Creative Writing

Posted in Writing

Let Your Light Shine

Posted on by L. M. Montes
Photo by Prashant Gautam on Pexels.com

We all have something to say, and how we say it is unique to us. No one else can say what we want to say in quite the same way. Let’s say for example there are two different people writing on the same exact topic, and they don’t put their names on their paper. They give them to you (you’re blind folded when they give them to you so you don’t know who gave you what), and you read them. Will you be able to tell which paper came from which individual? One’s personality comes through in their writing. If you don’t know the writer personality, would you still be able to tell? Whether or not we know someone doesn’t take away from the fact that their writing is still unique to them.

This uniqueness is your voice, your light. Who you are comes through on the pages. Whether you’re writing in one character or in more than one, your words are the words that are bringing the story to life. Don’t hold back for fear someone might not like it, because, truth be told, there’s always someone out there who won’t. That’s part of life. Put your all into your work. Put your light into it and let it shine.

As a side note here, if you are editing someone else’s work, be careful to not change too much because you run the risk of inserting your unique style into their work, then it won’t be theirs. You don’t want to take away from their voice/style. A better idea would be to suggest the type of change that’s needed, and let them to the changing.

Posted in Fiction

Your Odyssey

Posted on by L. M. Montes

Everyone has an odyssey of sorts. If you are still in your 20’s, your odyssey is still in the beginning stages. If your are older, say in your 50’s, your odyssey is still in progress, but you have quite a life journey up to that point even more so.

We all have experiences that lead us somewhere. Maybe yours led you exactly to the point at which you wanted to be, even though how you got there wasn’t the road you wanted to take. Or, maybe it was. If you’re a writer, your odyssey is chucked full of material from which you can choose to include in your story. This goes along with a post I did earlier that talked about writing what you know. Today I want to touch on the variety of events in one’s journey/odyssey. I’ll use my own as an example.

My odyssey is in 2 parts. The first part started out in the beautiful state of Michigan, which is where I’m from. There isn’t a lack of places to camp and swim because of the huge coastline due to the lakes we have access to year round. As a result, my family camped quite a bit. The explorations, hiking, bike riding, fishing, and swimming added to the adventures. One summer at the age of 16 was the last camping trip me and my family went on together. An incident happened involving me. A moment of tragedy can happen in an instant but last a lifetime. This began the beginning of my second odyssey. From this point forward there was much I had to overcome, and it wasn’t easy. I, like many human beings, made right decisions and wrong decisions. These decisions helped me to learn and grow from. They gave me something to reflect on and use in order to mature and end up at a place in my life that leaves me saying to myself, “I made it. The journey was rough, but I made it.”

This doesn’t mean that there aren’t still decisions and mistakes to be made, but at least now I have some concrete lessons to base my decision making process on. I’m more informed. Even more, I have something I can reflect on by using these experiences in my books, which is what I did in my novel The Triunix of Time. The book isn’t about my life, but some truths lay within it. In your stories, you will embed your own truths, as many writers do. What I found by doing this is that these bits of truth enrich the story itself because you are leaving your mark. Your feelings regarding them come through to the reader by way of your story characters, your descriptions, and the like.

Don’t use all of your odyssey in one story/book (unless you’re writing an autobiography). Use them as they apply to the story you’re writing. This way, in future books/stories you will have more to use.

Posted in Fiction

Knowing

Posted on by L. M. Montes

We’ve all heard the mantra ‘write what you know’. Well, what do you know? You might get stuck here, and the reason I say this is because you may not think you know enough. Trust me when I say, you do. You have a whole lifetime of experience to use in your writing. You don’t necessarily need to know anything about any one thing in order to write what you know.

In my book The Triunix of Time I have lots of real life experiences included in the story. No, I’m not going to tell you which ones (LOL). There is also included in the story dialogue from conversations I had with others; snippets. Then, the icing on the cake, embellishment. Yes, use what you know and have fun fictionalizing it and building on it.

Here’s an example:

We’ve all had at least one favorite summer; maybe more than one. What made that summer your favorite? Maybe you spent it at the beach most often and you met a new friend, or maybe you spent two weeks of it with a cousin on a farm. Yes, lets use the farm experience. Cousins are a lot of fun. If you have cousins, and I’m sure you do, you know what I’m talking about here. Let’s say you want to write a mystery, but you don’t know what to use as it pertains to setting, characters, etc. Use your experience with your cousins on their farm. Let’s say you and your cousin found a wallet in the barn while cleaning the stalls. It ended up being your uncle’s wallet. Let’s fictionalize that a bit. Maybe you and your cousins were in your early teens. Write a YA mystery involving a bag of wallets you found in a hay loft in a small barn you were both told to stay out of. You were caught by your uncle’s friend when he walked in and heard someone up in the loft. You and Johnny in your haste put the bag of wallets back in a rush and call out. “Just getting some hay for the horses’ stalls.” And on the story would go. Do you see how you could create something wonderful from one experience? By the way, feel free to steal this idea.

Photo by Lachlan Ross on Pexels.com

Posted in Fiction

The Triunix of Time

Posted on by L. M. Montes
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The Triunix of Time
Posted in Editing

Adverbs

Posted on by L. M. Montes

Those pesky adverbs can be a real bear. Lately I’ve read some great fiction. The story drew me in, the characters were memorable, the description was detailed without being to much. I loved it. But then throughout the experience there were stopping points. Yes, stopping points. What were these stopping points? They were ADVERBs. Turn an adverb into action. Note the difference below:

Example 1:
Ok
a. He walked quickly down the street, his footing unsure.

Better
b. He rushed down the street, his footing unsure.

Example 2:
Ok
a. John was painfully digging in his backpack for his wallet, when he didn’t feel it in his pocket.

Better
b. John plunged into his backpack for his wallet, when he didn’t feel it in his pocket.

As you can tell in both examples, b. is the better option. We see the actions better and their impact packs more of a punch.

Posted in Fiction

Legs

Posted on by L. M. Montes

(How many of you can relate to a story like this?)

I laughed at the comedy on TV. It was welcoming because I hadn’t gotten into a program in a long time.

Work, crafts, writing, they all had taken my time lately. But that’s ok. I’d rather do those things than spend all of my time watching television. A good brain workout doing other things than TV was better anyway. Then it happened.

The brown, hairy, eight legged thing revealed itself as I threw my head back in laughter once again. Damn, there was always something that had to spoil the fun. And just when no one else was here to kill it for me. I pursed my lips together wondering how I was going to do this. The way I saw it, I had one of two choices. I could sit and stare at it until my husband got home…….six hours from now, or I could face this and get it myself. Neither option appealed to me. Of all the places it could be, the ceiling. The only choice I had was the fly swatter.

With the fly swatter in hand, I steadied it below where said spider was. I was still too short. Damn! I trudged over to the step stool and placed it just to the right of where that ugly thing sat. I stepped up. Now I was too close. I shot out a breath. “Well, this has to be done for my own peace of mind.” I looked up and hunkered down out of its way just in case it fell. I didn’t want it dropping on me. Steadying the fly swatter just below the spider, I paused. Then, smack. But, instead of pulling the fly swatter away, I left it there, moving it back and forth to make sure I had killed it.

I stepped down off the stool and released the fly swatter at the same time. Peering down at the brown blob on top of it, I breathed a sigh of relief.

Posted in Writing

Story Starters

Posted on by L. M. Montes

What do you think about when you’re standing at the top of a mountain? What’s going through your mind? Is your imagination poking at your brain? Is fear setting in? There weren’t any side rails along the road on the way up, so you’re wondering how you’re going to get back down without going over the edge. Getting up there was easy. What if you get stuck on the way down (if you climbed up)? Questions questions.

Story ideas start with questions. Usually they’re ‘what if’ questions, but that doesn’t mean they have to be (see above questions for examples). I like the ‘what if’ questions only because that’s what my brain goes to automatically. Below are some ‘what if’ questions you can steal. Remember, one what if question can create more than one story.

  • What if you were eating in a Chinese restaurant and received a fortune cookie made gold?
  • What if someone knocked at your front door? You answer it and it’s your late grandfather. You give him a hug and immediately that takes you back in time to his era.
  • What if you’re walking to the elevator in the busy office building you work in, and you suddenly realize you’re alone. You’re the only one in the whole building.
  • What if you stumble upon your parents who aren’t your parents but they look like them?
  • What if the spiritual realm became visible only to you?
  • What if a one hundred dollar bill was found stuck in your second story bedroom window and you know it’s not yours?
  • What if you bit into a cookie and found a ring inside with an inscription?

Posted in Fiction

Story Organization

Posted on by L. M. Montes

Organizing your story can be rather daunting if you’re new to it. Not knowing the various ways in which one can go about doing this will bring on this feeling. To feel confident about story organization, learn some tricks that other authors do, then choose one or two methods that suits your style.

What I do

I start by moving from general to specific. I do quite a bit of thinking and brainstorming by rolling around various what if scenarios in my head and write down a list as I go. Many of my ideas come from real life events from my past. When I started writing the Triunix of Time, I began with a story about a relationship. It was supposed to be about a man and a woman who started out as friends and ended up falling in love. A simple plot. Right? Ha!!! At first yes. Where it ended up years later wasn’t where I started from. There is some romance in there, yes. But, it was secondary to the main story, which was something else entirely. That’s the nature of writing a book. It’s going to change as you write it.

Once I pick a scenario I’m happy with, I come up with a one line premise. This one line will sum up what your whole story is about, yet it will do this in general terms. See the example below:

  • Tora is a headstrong, career driven woman who sets out to find the truth about her parents and discovers a family secret that goes back to the Magi.

The above example is the one line premise for my novel The Triunix of Time. Once I had this down (It didn’t start out perfect. I had to rework it a few times, and so will you with yours), I expanded it to include four more sentences. So now you are moving toward being a little more specific. Once you get your one five sentence paragraph that sums up your story, take each of those five sentences and turn each of them into a paragraph so you end up with a five paragraph synopsis of what your story is about. Keep expanding on this summary until you have a long synopsis (this length is up to you). This method will take some thought. You will end up changing things around along the way until you’re happy with it. That’s just how it goes. Have fun with it. Believe it or not, when you finish writing your novel, you will condense this long synopsis until you are able to use it on the back of your book when you publish it. Below is an example of the five sentence summary that expands from the one sentence premise above:

  • Tora arrives home after a long drive from Norfolk, Virginia. Soon, she discovers a journey she must take. At the onset of this journey she comes to the knowledge that there are secrets regarding herself and her family. Add to that, she, along with Kyle and John, must defeat the Black Mamba. But, this will not be easy. Tora is the Triunifier, so without her this mission cannot be accomplished. She gets her strength from Kyle and John. Soon they are racing against the clock and must obtain possession of the pieces of the Triunix. They accomplish this, but the Black Mamba tricks them and Tora (now Nadira) merges with him.

Notice that mine is a little more than five sentences. That’s okay. You get the point. This summary paragraph and every summary/synopsis you write must move your story progressively from the beginning of the story to the end.

Posted in Fiction

Inspiration

Posted on by L. M. Montes
Story ideas
Posted in Fiction

Painting Your Picture

Posted on by L. M. Montes

Story setting is essential. It’s one of the elements that pulls readers into the story and places them there. Can you imagine what reading a story would be like if there wasn’t any description of the places in it? Flat, that’s what it would be….flat. I would cast it aside in a heartbeat.

How do we paint a picture of what we want our readers to see when they read your story? It really is up to the writer. I say this because we’re all different and have our own ways of doing things. So, take what you will from this post and make it yours. I like to create my settings in such a way, so that when someone reads it, it sounds natural. What I don’t want is for the action/story to stop so that I can describe something. Doing that takes away from the story. Note the two examples below.

Example 1: Laural stepped into the room with her bare feet. The room was white with plush carpet. White curtains hung on the windows and blew in the breeze. To the right of the window sat a small square table with a bright green tablecloth. In spite of the brightness of the room, she should have felt comforted, but no. There was an eeriness that made her feel uneasy. A lock of her blond hair fell forward and she moved to push it back. She stopped midway as she felt his finger along her cheek.

Example 2: Laural stepped into the white room. Now barefoot, she stepped onto the plush, white carpet. At one time this feeling would have comforted her, but today the cushion of the carpet only served to increase that eerie sensation twisting in her gut. White curtains billowed as the breeze from the open window whispered into the room. Again, a false sense of comfort played in her gut. It were as though the room was dark, not light. The only color in the room came from a plant sitting on a small square end table to the right of the open window. A single black rose stood dead center of a plant whose bright green heart shaped leaves came to thin tips. His calling card. A lock of blond hair pushed forward over her right shoulder. Moving her hand up to push it out of the way, she froze midway as his finger caressed her cheek. Her breath caught in her chest. She wanted to run, but her legs wouldn’t move.

“You look pale, my sweet,” he said.

In the first example the setting description does nothing to move the story along and it doesn’t create any kind of feeling either. We are told that Laural is feeling uneasy, but the description doesn’t heighten this feeling at all.

The second example combines description of the room with how Laural is feeling, which in turn goes along with the story.

When you’re writing, and get stuck on how to describe something, sit back and relax. Close your eyes and picture your setting or situation. Then, when you’re ready, describe it simply. When you’re done with that, embellish it to fit the story/scene. It takes practice.