Long ago defiance ruled,
I shook my head and sighed,
why did people listen not
and wag their tongues with lies.
Chances rolled down hills,
no takers snatched them up,
instead offenders turned away
with foolish fists corrupt.
Winds blew them hither and yon,
a lesson to be taught,
years it took to do what’s right
then seek the promise sought.
Tag: Writing
Job Love
Do you enjoy your job?
My job is writing. I’m an author and blogger, and I enjoy every minute I am writing. I do what you love and love what I do.
Feed Your Creativity
What do we need for nourishment? Food. When we eat food, we feel better. Our body feels sustained. It might also depend on what you eat, but that is neither here nor there. Actually, I’m eating as I write this article (Hahaha, no really). But how do we feed our creativity when we’re trying to think of material for writing a story? I’m not talking about writer’s block. I’m talking about putting some oomph into your story, something that stands out to readers. The answer to this question will vary from individual to individual because we are all different. Below are some ideas on things you can do to wake up your creative mind.

- Read books.
- Listen to music (I hear classical music is good for this).
- Do a craft of some sort.
- Put a jigsaw puzzle together. You’d be surprised how much this works.
- Create ideas with some one else. Hey, two heads are better than one.
- Take a drive somewhere that appeals to your senses.
- Look at beautiful photos and imagine yourself inside the picture. Use your senses and describe it.
- Take a stroll through a cemetery.
- Cook/bake something.
- Go to the beach.
Tag Lines
In a story in order to determine who is speaking a piece of dialogue, tag lines are used. Notice in the following example the last two lines don’t have a tag line. That’s because one is not always needed once it’s been established who is talking. Generally, a person will do the speaking every other line. So, in this example, it is assumed that Tia is then doing the speaking in line 3 and Sarah is doing the speaking in line 4. If a tag line is added every time someone speaks, the flow of the dialogue sounds odd. BUT, every now and then, throw in a tag line so that readers can keep track of who is speaking. There’s nothing more irritating than having to go back through a long piece of dialogue in order to keep track of who is doing the speaking.
Example: “I don’t like it one bit. It won’t work,” said Tia.
“Sure it will,” replied Sarah. “Trust me.”
“That’s the problem. None of your ideas ever work.”
“They do too.”
Please keep in mind that you don’t always have to use the word ‘said’ when creating a tag line. Here are some options in the list below. There are many many more than what is here. This is just a taste.
- replied Tia
- responded Tia
- stated Tia
- whispered Tia
- answered Tia
- demanded Jack
- claimed Susan
- asked Bill
- agreed Susan
- added Susan
- admitted Jack
- fumed Bill
- feared Sally
- giggled Jane
- indicated Jack
- joked Tia
- decided Tia
Excerpt from the Prologue
Here is an excerpt from the prologue of my new novel, The Cross’s Key
The Triplet Septfinitude bragged of mountainous peaks and plush grassy meadows. Trees with leaves of several hues of reds, yellows, and greens cascaded own each slope. Between each mountain rested deep blue and turquoise-colored lakes and streams. Living dwellings made of marble peeked out in various areas of the sides of each mountain. Small wooden bridges decorated with leafy vines connected each living dwelling from one to the next and all the way down to the grass below.
Paul and Susan Stevens looked on as their eight-month-old triplet boys lay on their blanket under the Fophawna tree. The Tantis Lake lay several yards away. A gentle breeze touched the furry bark of the tree just right, and the follicles billowed and shimmered. Susan got down on the blanket to play with her boys and moved into a sideways leaning position when the triplets touched each others hands haphazardly clapping them together. She chuckled as she watched. As they continued to do this, their hands became attached to each other. Then the three little bodies moved and melded together and giggled. The end result was one baby, not three. Susan’s mouth gaped open, and her vocal cords refused to work, rendering her silent. She was so horrified and so focused on the one baby that she didn’t see her husband on the blanket across from her trying to do what he could to make the one baby three again. All the while glancing over his shoulder several times to see if anyone else witnessed what just happened. They were alone.
“How do we get them apart?” said Susan now able to speak.
Paul didn’t respond as he poked and prodded the baby in front of him.
“Paul?””
“What!” he thrust out. “How in hell should I know? This is the first I’m seeing this myself.”
“You don’t have to be so…..” Susan said with a start. “I didn’t…..damn!”
“You knew there was a possibility this would happen. We both did.”
She opened her mouth to talk but thought better of it. He was right, but she put this possibility behind her never thinking it would happen to her babies. She didn’t want this, not for her children. This kind of ability was dangerous. She knew what it meant for their future and the future of the triplets if anyone found out.
“Paul, what are we going to do?”
“We’ll have to keep them apart as best we can. Then, when they get a little older, we can leave and go to Shir in the Natural Septfinitude.”
He was right.
*****
Fourteen years and Four Months Later
Shir’s early morning dew glistened across the lush grass as Ethan bent over the creek and whisked his fingers through his blond close-cropped curls. He gave himself one last look at his reflection in the still creek water then splashed the cool, wet liquid on his face a couple times and stood. He crossed his long sleeve shirted arm across his face to dry it then turned to face his triplet brothers.
“Why can’t we touch each other? You know, like pat each other on the back for a job well done or something. What’s all the fuss about?” asked Jace.
“Why? Do you need a pat on the back? Are you in need of a compliment? Well, job well done, Jace,” said Ethan with a voice dripping of sarcasm. “How are we supposed to know? We’re in the same situation as you.”
“You’re the oldest, Ethan. You should now,” said Mason with a chuckle. He knelt next to the creek, dunked his close-cropped, straight black hair in the cold water, shook his head several times, then whipped his head back, bringing with it a stream of water heading straight for Jace, who saw it in time and ducked. The splash landed on Ethan’s face.
Ethan gasped then took another swipe at his face to dry it. “I am the oldest by nine minutes,” replied Ethan. “And keep your water to yourself damn it. My being the oldest does not mean squat. Ask dad. Although, I doubt he would say anything. I tried asking once, and he blew me off.”
“Mom and dad never said anything to me either. I asked them once, too. Mom looked away and dad changed the subject. You know how he is. If he doesn’t want to tell you something, no amount of probing or coercion is going to get him to talk,” said Mason.
“So, let’s try it,” said Jace.
Ethan and Mason threw him a blank stare.
“What? It’s not like we’re going to blow up or something.”
“Dude,” said Ethan. “I don’t think we should go against mom’s and dad’s wishes.”
Mason smacked his tongue, then said, “Come on, he’s right. He is the youngest, so we can blame him if something goes wrong. Besides, they’ll never know.”
“Ok, fine,” said Ethan. “But not here in the open. Let’s go in the barn. We have chores to finish up anyways.”
The late July heat rendered the barn an oven of sorts. The three stood inside the main entrance looking around. One of thee horses in one of the distant stalls stamped his hoof and gave a low whinny.
Ethan spied his father’s small office on the far end and walked in that direction. “Come on.”
The three stood in the center of the room and looked at each other. Neither one wanted to go first. Finally, Mason gave Jace a quick poke. Nothing happened. Seeing this, Ethan and Jace did the same to Mason. Again, nothing happened. They started laughing and felt ridiculous. Then they slapped each other the way guys do.
“Damn,” said Ethan. “All this time we’ve been afraid to come in contact with one another. Again, I wonder what the big deal was?”
“He five bros,” said Mason as he put up both of his hands.
Ethan and Jace put up both of their hands. Now standing in a tiny circle, they all smacked each other’s hands at the same time. Then their bodies melded into one. Now they knew.
“What? Who? How? Oh God. What have we done?” asked the brothers who were now one person. What is this person’s name? My name? Our name? Damn! Who is this?” His voice didn’t sound like any one of the three brothers.
He turned to face the corner desk. A small 8″ x 10″ mirror hung on the wall above the section of desk on the right. He peered into it. A different person stared back. In a way he was a compilation of the three, yet different. He touched his mouth, then pulled the skin under his right eye down and let go. He ran his hands through his dark brown hair and exhaled.
“We need to tell dad. Wait, I’m talking to myself. Hey, you guys there?” Nobody answered back. “What’s my name, our name?” Again, no one answered. He didn’t know if he was one person or three.
A translucent green materialized around the frame of the mirror and intensified until it filled the room. He plucked the mirror off the wall and a certain oddness peered back at him….
(If you enjoyed this snippet and would like to continue reading more, follow the link to the book in the book’s title above. It is free on Kindle Unlimited. The Kindle version is $8.99 on Amazon).
Malice by L. M. Montes
Hardness hails the deepest creases
of tainted thoughts and goodness taken,
breaks the inside then snaps to pieces
the person meant to be forsaken.
Hurt abounds from one’s behavior
as meanness hurls from they to thee,
until karma returns the nasty favor,
blind to all and will not see.
Descriptive Words
Please note that some of the descriptive words in this table are found in more than one box. This is because they hold two different descriptive meanings.
Sometimes it’s nice to have many in one place rather than always resorting to look up single words at a time. When you are in the middle of writing a piece of fiction and you want a unique way to describe something, your mind can go blank. Here is a table to help you.
| Really Certainly Easily Genuinely Honestly Positively Precisely Truly Undoubtedly Unmistakably | Very Absolutely Acutely Decidedly Deeply Eminently Exceedingly Excessively Greatly Highly | Extremely Really Remarkably Seriously Significantly Singularly Supremely Terribly Terrifically Thoroughly | Normally Commonly Generally In general Mainly Most of the time Mostly Ordinarily Usually As a rule |
| Quickly Swiftly Rapidly Hurriedly Speedily Fast Quick Hastily Briskly At high speed | Seriously Passionately Earnestly Sincerely Vigorously Gravely All joking aside Cut the comedy Intently Resolutely | Kindly Genial Gentle Good-hearted Generous Humane Kind Mellow Merciful Pleasant | Finally Definitely Assuredly Once and for all Past regret Settled With conviction Determinately Beyond recall Lastly |
| Only Apart Individual Lone Matchless Once in a lifetime Sole Unaccompanied Unequaled Unique | Perfectly Altogether Completely Fully Quite Utterly Wholly Consummately Well Totally | Accidentally By chance Inadvertently Casually By accident Randomly Unconsciously Unintentionally Unexpectedly Unwittingly | Confused Bewildered Dazed Glassy-eyed Mixed up Not with it Addled Discombobulated Perplexed Puzzled |
Types of Poems
Here are a few types of poems I thought you might be interested in. There are more, but I went with some common types that people enjoy writing more often. They range in difficulty. For more information about each, you can go to www.Google.com
| Type | Definition | # of Lines | # Syllables Per line | Rhyme Scheme |
| Haiku | An ancient form of Japanese poetry. Small in size | 3 lines | line one has 5 line two has 7 line three has 5 | none |
| Limerick | Are funny and sometimes rude. They have a set rhyme. The subject is a short, pithy tale or description | 5 lines | none | AABBA |
| Sonnet | A poem expressing a single, complete thought, idea or sentiment. There are two types: Petrarchan and Shakespearean | 14 lines | 10 (Iambic Pentameter) | Petrarchan Sonnet: ABBA, ABBA, CDECDE Shakespearean Sonnet: ABAB, CDCE, EFEF, GG |
| Free Verse | A popular style of modern poetry. It has a great amount of freedom when it comes to number of lines, cadence, and rhyme (if any) | varies | varies | varies |
| Villanelle | A short poem of fixed form, written in tercets, usually five in number followed by a quatrain. | 19 lines | varies | ABA for the first 5 tercets. Line 1 from the first tercet gets repeated in line 3 of tercets 2 and 4. Line 3 from tercet 1 gets repeated in line 3 of tercets 3 and 5. In the stanza 6 (the quatrain at the end), lines 3 and 4 are lines 1 and 3 from the first tercet in order). |
| Blank Verse | Poetry written with a precise meter, often in iambic pentameter but doesn’t rhyme. | varies | 10 (Iambic pentameter) | none |
| Sestina | A poem of six six-line stanzas and a three-line envoy, originally without rhyme, in which each stanza repeats the end words of the lines of the first stanza, but in a different order, the envoy using the six words again, three in the middle of the lines and three at the end. | 39 lines | Iambic pentameter is optional. Otherwise there is none. | Line 1: ABCDEF Line 2: FAEBDC Line 3: CFDABE Line 4: ECBFAD Line 5: DEACFB Line 6: BDFECA |
| Tanka | A Japanese poem that means “short poem” | 5 lines | lines 1 and 3 have 5 syllables. All other lines have 7 syllables. | none |
Digging Deep
How often have you read a book with great mean hidden deep within its story? I truly believe anyone can find meaning in just about anything they read. We don’t always look for it though. Why? Because we are so engrossed with what is going on in the story that we aren’t focused on what we can learn from it. In these instances I think anything learned goes straight to our unconscious mind. Now, I’m not a psychiatrist or a psychologist or anything, but to me it’s only common sense.

As an author, I want my readers to gain meaning from what I write. As I mentioned above, not everyone will on the surface. This doesn’t mean we don’t create meaning in our stories. After all, the stories we write have to have some kind of meaning to them in order for there to be a story. Actually, we call it Theme. Finding a theme to center your story around can be daunting at times. Seriously, you can be sitting there in front of your computer wondering what theme to use. In the meantime your story is dying to be written.

The solution is simple. Just start writing your story. The theme will develop itself or will unfold in your mind, and you will have an “A-ha!” moment. This is how I write. I know that sounds backwards, but it works for me. Once you have your theme (a meaning your story centers around), put it down on paper. Yes, literally, write it down. Then go into more detail about it. For example, how can you develop your characters around your chosen theme? In which direction can you take your story now that you have your theme? Will your settings connect to it in any way? What about dialogue? How can you use your theme to increase tension?

Continue to ask yourself these questions. Then answer each of them. Again, do this on paper, not your computer. The act of writing helps it to stick in your brain better. At least it does for me. When you feel you’ve developed your theme enough, go back to your story and continue writing. All the while, you will be using what you wrote down about your theme in various parts of your story.

When I was half way finished with my second book, I realized I didn’t have a theme. As a result, it was becoming increasingly difficult to continue with the story. Then it dawned on me what the problem was. Lack of a theme. It didn’t take me long to figure out what it should be because I knew the direction I wanted my story to go. Plus I knew my main character well. All I had to do was go back and look at his character sketch. The answer was right there. It smacked me in the face, so to speak. Without that theme, the story fell flat.

Once I found it though, I had to go back to the beginning of what I had already written and insert story elements that developed that theme. It wasn’t hard to do. It was just time consuming. But I loved every minute.
Villanelle III by L. M. Montes
Waves whisper a cadence soft and free,
gliding forward, lingering, rolling back,
as sun beams dim and fold beneath the sea.
Seagulls swoop white wings so feathery,
dipping downward, soaring, as black
waves whisper a cadence soft and free.
Shadowed palm trees sway in the breeze,
bowing down, billowing, and whack
as sun beams dim and fold beneath the sea.
On horizon’s bed a ship sails carefree,
buoyantly bouncing, gliding, as off-track
waves whisper a cadence soft and free.
Gray cloudy wisps stretch in mystery,
languidly looming, searching, but lack
as sun beams dim and fold beneath the sea.
A gate clinked open amidst a rocky lee,
beauteously inviting, summoning, while black waves whisper a cadence soft and free
as sun beams dim and fold beneath the sea.