Tension within a story is the sense that something ominous/foreboding is around the corner. What are some ways you can create tension within your story?
Forms of Tension
Increase conflict between your characters.
Make the situation worse for your character(s). Ahh, the tension of the task. Don’t make what your characters have to do easy. Don’t allow them to get what they want right away.
There is tension in surprise. Readers like to be surprised, whether it’s good or bad. Prolong it. Keep stringing them along until just the right time.
I have read quite a bit regarding the usage of adverbs when writing fiction. Most of what I’ve read says not to use them. Period. Yet, I still see adverbs in fiction. Can we catch them all. Hmm…maybe. I think the key is to go back through during your edits and look for those and those alone and nothing else. Yes, do an edit just for searching out adverbs in your writing. When you do your initial search for them, circle them, then go back through and rework the sentences they’re in so that they aren’t there at all.
What do adverbs do that are so bad? They make the writing sound amateurish and unprofessional, they take away from any real action going on, and they take away the show out of the “show don’t tell” rule. There are better ways to say/write something.
Example 1: (with adverb) Jason stepped lightly across the room to surprise Jill. (without adverb) Jason tiptoed across the room to surprise Jill.
Example 2: (with adverbs) Max’s harshly spoken words undoubtedly jumpstarted angry thoughts within Jason’s own mind. (without adverbs) Max spat his words out. Jason glared back at him, as angry thoughts jumpstarted within in his own mind.
After reading each example, how does each sound to you? The sentence with the adverb doesn’t do much for the reader at all. Plus, the action that should be there isn’t because the adverb throws “water on it” so to speak. But, the examples without the adverb creates more feeling, action, and pictures within the reader and makes for a better reading experience. You may have to play around with the words and create more than one sentence when you move to fix it without the adverbs. That’s ok, as long as it sounds better. Hence, the “show don’t tell” rule.
What do we need for nourishment? Food. When we eat food, we feel better. Our body feels sustained. It might also depend on what you eat, but that is neither here nor there. Actually, I’m eating as I write this article (Hahaha, no really). But how do we feed our creativity when we’re trying to think of material for writing a story? I’m not talking about writer’s block. I’m talking about putting some oomph into your story, something that stands out to readers. The answer to this question will vary from individual to individual because we are all different. Below are some ideas on things you can do to wake up your creative mind.
Read books.
Listen to music (I hear classical music is good for this).
Do a craft of some sort.
Put a jigsaw puzzle together. You’d be surprised how much this works.
Create ideas with some one else. Hey, two heads are better than one.
Take a drive somewhere that appeals to your senses.
Look at beautiful photos and imagine yourself inside the picture. Use your senses and describe it.
How often have you read a book with great mean hidden deep within its story? I truly believe anyone can find meaning in just about anything they read. We don’t always look for it though. Why? Because we are so engrossed with what is going on in the story that we aren’t focused on what we can learn from it. In these instances I think anything learned goes straight to our unconscious mind. Now, I’m not a psychiatrist or a psychologist or anything, but to me it’s only common sense.
As an author, I want my readers to gain meaning from what I write. As I mentioned above, not everyone will on the surface. This doesn’t mean we don’t create meaning in our stories. After all, the stories we write have to have some kind of meaning to them in order for there to be a story. Actually, we call it Theme. Finding a theme to center your story around can be daunting at times. Seriously, you can be sitting there in front of your computer wondering what theme to use. In the meantime your story is dying to be written.
The solution is simple. Just start writing your story. The theme will develop itself or will unfold in your mind, and you will have an “A-ha!” moment. This is how I write. I know that sounds backwards, but it works for me. Once you have your theme (a meaning your story centers around), put it down on paper. Yes, literally, write it down. Then go into more detail about it. For example, how can you develop your characters around your chosen theme? In which direction can you take your story now that you have your theme? Will your settings connect to it in any way? What about dialogue? How can you use your theme to increase tension?
Continue to ask yourself these questions. Then answer each of them. Again, do this on paper, not your computer. The act of writing helps it to stick in your brain better. At least it does for me. When you feel you’ve developed your theme enough, go back to your story and continue writing. All the while, you will be using what you wrote down about your theme in various parts of your story.
When I was half way finished with my second book, I realized I didn’t have a theme. As a result, it was becoming increasingly difficult to continue with the story. Then it dawned on me what the problem was. Lack of a theme. It didn’t take me long to figure out what it should be because I knew the direction I wanted my story to go. Plus I knew my main character well. All I had to do was go back and look at his character sketch. The answer was right there. It smacked me in the face, so to speak. Without that theme, the story fell flat.
Once I found it though, I had to go back to the beginning of what I had already written and insert story elements that developed that theme. It wasn’t hard to do. It was just time consuming. But I loved every minute.
On October 6, 2021 I wrote a blog post entitled Connections. Toward the end of the article I talked about a character, Mary, who was in a heated argument with her boyfriend as they were walking along. They had come to an area or clearing where the sunset could be seen much better in all of its glory. The boyfriend didn’t notice it. He could’ve cared less, but Mary noticed it and enjoyed it so much that for a moment she forgot about the argument. In this post I said that the sunset itself had nothing to do with the issue at hand, which was the argument. It was a random occurrence. But it had everything to do with creating empathy for the character of Mary. Add to this the dialogue between the two. Maybe Mary’s boyfriend said something nasty to her. The reader will be affected by these words to in that they will feel for her/have empathy for her. Mary may not be hurt by his words, but the reader will feel for her anyway. Well, most readers anyway.
Creating empathy for your characters is what draws your readers further into your story. Feelings, as we all know, have a strong connection to empathy. The two go hand in hand. As a side note, not everyone feels empathy, so don’t worry if your characters don’t connect with some readers. It’s just the nature of the beast.
Empathy, or even lack thereof, also gives incite into your character’s personality. In the above scenario we come to understand that Mary loves the beauty of sunsets even in the face of angst. It also hints towards her sensitivity. In addition, deep down she doesn’t let something like an argument with her boyfriend get to her. This indicates strength to get through it and not dwell on it. It could also indicate she feels as though the situation between her and her boyfriend will get resolved. The point being, in the ugly face of an argument, she saw beauty.
What drives the feelings within your characters? The situations they are thrust up against. Let’s say we have a character named Jack. He’s 31 years old, a successful corporate lawyer, and married with one child. He finds out his wife is cheating on him. Over the eight years they’ve been married, he has given his wife everything. He supports her in all that she enjoys doing. There isn’t anything that indicated to him that she had been unfaithful. Until he walks in on his wife and her lover when he comes home to surprise her (I know. This is a typical scenario, but it works for the point I’m trying to make). Already the reader feels empathy for him, and we haven’t gotten to how he is feeling yet. Although, his feelings will be interspersed throughout the scenario anyway.
Everything, the feelings and situations, even the words characters say to one another can create empathy within your readers. They will be pulled into your story. You want this. Of course, there are other ways besides creating empathy that can pull a reader in as well. Here again, that’s another blog post.
The beauty of a tree is intricate. There are so many parts, yet they are all part of one trunk. Everything comes together to make up the whole. We see the individual parts, but we also see the one.
Stories work much the same way. There is one main story, but within it are ‘branches’ or ‘offshoots’ of smaller stories that, when you put them all together, make up the main story. The end result is one story with many parts within it. They all connect. With a tree if you take a part of it and replant it, it grows into another tree. The same applies to a story. If you take a part of the story, you can create another story.
In a previous post I talked about types of tension and where you can find it. In this post I’d like to talk more about using it in your story in order to keep your readers turning pages. I’ve read books where, once the action starts, there is no stopping until the end. I’ve watched television shows and movies where the tension was like that, too.
What also works is what I call on again off again tension. This is when the tension is rising and has the reader/viewer on the edge of their seats, then the story does an abrupt change and goes to a different scene thus breaking the tension. Those are the moments when you, the reader, might stay, “Nooo. What happens next?” You might put the book down at this point because you’re frustrated or you might continue reading. But that’s up to you. Eventually, you will pick the book up again and continue reading. Although, I don’t see you waiting very long if you are wanting to know what happens next.
Either of these two ways of creating tension is effective. It all depends on the story you are writing and how you, the author, wants to create that tension. BUT…..however you present the tension in your story, it must build as the story moves along. Continue throwing conflict at your main character(s), and continue stepping up the “gas”.
Writing, whether you are writing fiction or nonfiction, is more than the act of writing itself. It is a process and it all takes time. Rushing through from the beginning to the end will only get you no where very fast. This is not a post about the writing process; although, that is come up in a future post. No. This post is about taking your time with it. Let’s dig in.
I understand the urgency to get the finished product in front of people. Trust me when I say, readers know when a writer/author sped through their writing. How, you might ask? The writing itself will be bad. There will be misspellings, awkward sentences, punctuation in places there doesn’t need to be any and vice versa, plot holes, and/or the format is all wrong. The list goes on and on. I’m not talking about a few errors, because we all make mistakes. I’m talking about many. You might say that a piece of writing like this needed a good editor. That is correct. However, here again, the time was not taken to even edit the piece. Editing takes time, too. Trust me. I’m not talking about a couple of days or a week. Instead, I’m talking about months. Then beta readers have to read it first before putting it out to the public. The beta readers, or test readers, will give you viable feedback in regards to what is and isn’t working with your story or book.
Once you get feedback from your beta readers, look at their recommendations one at a time, and fix them if you agree with their assessment. Remember, it’s your writing, so it is up to you as the writer to do with your piece as you see fit.
Here is a list that should give you a picture of the length of time it takes to write a book…..
Planning- How you plan your story is up to you.
Draft one- Depending on the length of your story (book length) it can take 1 to 3 years for draft one. My second novel is over 500 pages and took me three years to finish the first draft. But remember, we are all different, and life gets in the way.
Draft two- No, you are not starting over from the beginning. What you are doing at this stage is taking your first draft and working with it from the beginning to the end. What you will be doing is tweaking your story, characters, structure, looking for plot holes, etc.
Draft three- Repeat draft two process. Yes, there might be things you will miss.
Do you need a fourth draft and beyond? That is up to you.
Self editing- You will want to edit your story/manuscript first before you send it to an editor.
Editing- Get a good editor. Shop around. Don’t hire the first one that comes along unless they come with good references.
As you can see, writing a book is not a quick process. Take great care with what you are writing. You want to please your readers not make them shut the book before it begins.
To start with, theme is a lesson or idea the story teaches and is carried throughout the story. But where do we find a theme to center our stories around? We can Google a list of possible themes and go from there. After all, sometimes our mind goes blank right at that moment you want to think of something. Google helps boost our minds. Of course, there are other search engines, so the choice is yours which one you use.
Another possibility is yourself. You’re probably going, huh? That’s right. Your own experiences can shed light on various themes you can center your story around. In your lifetime what have you learned? How did you learn it? Did you have to learn how to get along with someone you didn’t like? Did you have to learn how to give more? Did you have to learn to be patient? Maybe you had to learn to take risks. The list goes on and on. Or maybe you know of someone who had a learning experience.
Does this all mean your story has to be directly related to your learning experience? No, absolutely not. You aren’t creating nonfiction. You are wanting to create fiction. All I am saying is to use your learning experience (or someone else’s) and come up with a fictional story that centers around the theme (or what you learned) from your own life.
There are times, though, when all you have to do is start writing a story and the theme will present itself as the story unfolds. Yes, there are some writers who write this way. I am one of them. I don’t like to restrict myself, and I find it more freeing to just start writing. How about you?
WRITE TIME AND AGAIN 