Tag: Characters

Posted in Characterization

Character Flaw

Posted on by L. M. Montes

According to Wikipedia, a character flaw (sometimes called a fatal flaw) is as follows:


Character flaw – Wikipediaen.wikipedia.org › wiki › Character flaw
In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorders, vices, phobia, prejudice, or deficiency present in a character who may be otherwise very functional.

How do you choose a character flaw for your main character? That is up to you. I centered it around the story. Once you choose a flaw, how do you use it within the story? Is it just there throughout and that’s all and the character goes about their business within the story and never learns anything from circumstances or their actions, etc? If that’s the case, do we even have a story? No. Not really.

The protagonist in your story is supposed to learn along the way. Their character flaw inhibits this at first, but gradually he/she comes to realize they need to change in order for their mission/goal/quest to succeed. By the end of the book they will have overcome this flaw.

Example:

Let’s say you have a main character named Molly, who’s in high school. Her flaw is that she’s timid/shy. She doesn’t like confrontation or violence and prefers to avoid it at all costs. She doesn’t like to hurt the feelings of others, so she avoids situations where she might have to speak up and maybe make people angry. Therefore, she doesn’t speak up for herself either. So, how does she learn to overcome this and become stronger inside? How does she get others to stop picking on her? How does she speak up for the truth and defend her friend Johnny?

In the above example, you have to get Molly from point A to point B to point C to point D; point D being the end of the story where she finally speaks up and gets over her shyness. Getting from one point to the next will involve a series of events called trials and errors that will serve as learning opportunities for her grow, but she can’t do this without these trials and errors.

Posted in Characterization, Characterization

REAL Characters

Posted on by L. M. Montes

In a previous article I wrote about creating characters for your story. I mentioned in that article that your characters must be as unique as possible. I also illustrated two lists of characteristics a writer can use to create characters. I am going to list them again here as a reference for you. There is a good reason, I promise.

  • Eye color
  • Hair color
  • Height
  • Weight
  • Ethnic heritage
  • Age
  • Birth date
  • Religious beliefs
  • Hobbies
  • Favorite color
  • Physical description
  • Political beliefs
  • Favorite music
  • Style of dress
  • Educational background
  • Description of home
  • Contents of wallet (this can say a lot about a person)
  • Habits

Digging Deeper

  • Strong character trait
  • Weak character trait
  • Best childhood memory
  • Worst childhood memory
  • One line summary of their personality
  • What triggers certain moods
  • What is their ambition
  • Sense of humor
  • What is his/her greatest hope
  • Character’s paradox
  • Character flaw
  • How does he/she see himself or herself
  • Philosophy of life

My goal in this article is to discuss HOW to use these traits to make your characters memorable and standout; to make them real. First, it’s one thing to describe in a story what a character’s traits are. It’s quite another to put this description to action. See examples below.

eg. 1. John had brown hair and blue eyes.
eg. 2. John swept his fingers through his brown, sweaty hair. He had been running the better part of an hour. His breathing labored, so he bent forward, leaning his hands on his knees. He blinked his blue eyes as sweat seeped into them. No matter though. The runners high is what he strove for, and he accomplished that.

As you can understand, example 2 gives a clearer picture of John. It makes him stand out as a human because we “see” him, and we come to know that he enjoys the sport of running. We readers can identify with him and how he’s feeling. Here is another quick example. Say your main character has a habit of cracking his/her knuckles. Don’t just mention in the story that they do this. Use this habit in an action. Maybe he/she cracks their knuckles when their nervous, or maybe it helps them think more clearly. Hey, you never know.

Another way we can use character traits to make characters real is to make one of those traits part of the story itself. Take religious beliefs for example. Maybe your story is about two people who are at odds with each other because of their religious beliefs. In the end they make it work somehow. Or, your main character may have a unique sense of humor. Work this into the plot. Use it to distract the antagonist at some point. Again, you never know.

Lastly, I’d like to hit on character flaw. THIS is a trait that every protagonist (and antagonist) must have. It’s what moves your main character forward and helps with their inner growth. I’m referring to the character arch here. The protagonist could have a character flaw such as being severely stubborn, to the point that their stubborness gets in the way of them accomplishing their goals. Yes, your MC will learn how to overcome this by the end of the story (that topic is for another blog post). BUT, it also makes them more real, allowing he/she to stand out.

In closing, how well we depict our characters in our stories depends on how we use their information to their advantage. Rich, well “seen” story people will give your reader a reason to come back to the story and want more. So, let’s give them something they will never forget.

Posted in Fiction

Character Names

Posted on by L. M. Montes

What’s in a name? When we name our kids, we want to make sure we give him or her the right name. We want it to mean something. We want it to sound right. Maybe the child will be named after someone we admire? The process can be very simple or it can be long and tedious. The same can be said for story characters. I believe this is especially true for story characters.

In my novel The Triunix of Time my main character started out with the name Amanda. The antagonist started out with the name Dominick. Yes, I still laugh at that. At the time I named my main character I didn’t have a clear focus on where exactly my story line was going. I had an idea, but it wasn’t solid. Amanda was the only name that popped in my head at the time. It seemed like a nice name, so I chose it. Then, I realized I didn’t know how to take my story and carry it through to the end. I didn’t have a road map, and, because I didn’t have a road map, I didn’t have a clear focus about what my main character’s name should be. Yes, the two should go together, but in a way that blends. You don’t want to create a stereotype, so stay away from the name Biff for a tough guy. There are better names to give him that aren’t so obvious.

Since I needed to learn about story structure, I put my manuscript down for a while and did some research. In my research, I discovered the three act structure. I won’t go into the particulars on this. That’s for another post entirely. I delved into this structure and learned everything about it. I focused on what types of information and scenes are placed into each act. Once I learned this, I had a road map for my story. THEN, I picked it back up, I wrote my ideas into a journal. I brainstormed and visualized, and right in the middle of it all I also realized my main character’s name had to change.

I deleted the name Amanda and went on Google. BUT, I didn’t just look at names to look at names. What I did was look at names and their meanings. I wanted to choose a name that meshed with my main character’s goal and who she was as a person. I wouldn’t have been able to do this without knowing what the story was going to be. I needed to have that first. As it turned out, I did something VERY unique with her name. I’d tell you but that would give away part of the story.

My antagonist I worked much the same way. I needed to know what his motivations were. He was a bad guy but that’s all I knew. At first I gave him the name of Dominick. Here again, this was before I had a clear story line, so I was stuck. Once I learned story structure, I had a name for him; a nick name. It isn’t until later in the story that I dubbed him with a regular name outside of the nick name. (Laughing) He wasn’t happy with me either. I didn’t care. It worked and he was stuck with it. Here again, his nick name and his regular name also meshes with the story line.

So, give some real thought about your character’s names. Research and know your story. Jot down notes here and there that you can refer to later if you need to. Enjoy the process.

Posted in Writing

Writing Stability

Posted on by L. M. Montes

So much goes on during the holidays, and it’s either good, bad, or in between. One year I was rushing around to get all of my Christmas shopping done. It was evening, so it was dark not to mention busy. The traffic standstill gave me a headache, but I had to get things done. I’m sure you can identify. I was in Toys’R’Us, which was crowded to the max, and it was my last stop. Dinner was next, so I was on the homeward stretch. I paid for my purchases, put my things in my car, and went to KFC to pick up my dinner. I was in the drive through waiting to give my order, when I reached for my purse and discovered it wasn’t there. Now, those of you who have discovered your purse or wallet missing while in public, can relate to this. My blood ran cold and my heart stopped. I still had over $400 in it. I got out of line and retraced my “steps”. I went back to Toys’R’Us to the exact parking spot I had just vacated. My cart was there but my purse wasn’t (I burst out into tears). However, there was a car in the spot I had been parked in and the people were still in it (A mom and her teenage daughter). I knocked on their window and inquired about my purse. THEY HAD IT!!!! What luck. They had my purse and were looking at my driver’s license to see whose purse it was. The woman gave me back my purse, and, upon seeing my distress, got out of her car and gave me a big hug.

Sometimes in our writing the story, process, characters and what have you can be just busy with so much “going on”. You can see the story in your head and it’s all coming at you at once. What does one do with such a rush of information that is out of order and disorganized? It almost seems as though you’ll forget this valuable information if you don’t rush to get it down. All I can say is, RELAX. Take the information that is rushing through your head. Do a free write and get it all down on paper or computer screen, then go back and organize it. When you organize it, prioritize it. What piece of information, according to your project, should get more attention? Work from most important to least important.

What do I mean by importance? All of your story elements are important and the importance of each depends on what you are working on each day, so this will change daily. Those of you who like to write by the seat of your pants have your own way of staying organized without planning ahead. Those of you who plan everything out in advance will do just that. Every writer’s process for writing is different, which is why I’m not going into detail here. I will say this though, what I do is keep a binder with dividers. Some sections are identified according what the story is.

In a nutshell don’t let the bombardment of your story fluster you. Take it in. Inhale it. Relax and place the information where you want it.

Posted in Fiction

Names Can Be Hair Raising

Posted on by L. M. Montes

Choosing a name for your fictional characters may appear easy first, and for your minor characters it most likely is. For me it was anyway. But for your major characters it can be time consuming (and maybe a little hair raising). That could depend on the author too. I had fun with this task even though it took quite a bit of time.

Things I considered when choosing a name for my characters are listed below. Please keep in mind not everyone will have the same ideas.

  • Character’s personality— It’s been my experience that names reflect a certain quality or personality trait of a person. But it does come down to personal choice. Would you want your hero to be named Melvin, Jack, Evan, or Bubba. I know, I know, we can run the risk of being stereotypical which is what you don’t want. See why this can be more difficult that you think?
  • What is their role in the story?— In other words the meaning of their name is directly connected to the story itself. In which case you will need to look at the meanings of names in addition to the names themselves. I found that by doing this, the name you choose won’t be so stereotypical.
  • Ethnic group— You have to know your character, their background, ethnicity, etc. If your character is Italian, maybe his/her parents wanted to stick with tradition and name them a name that’s traditionally Italian. On the other hand, maybe his/her parents wanted to break away from tradition and go with a French name instead of an Italian one. Bring that out in your story because by doing that it makes your character more real and stand out, which will bring about a connection with your readers.
  • Ask others for ideas— Just like in my last post. I employ my son’s assistance even with this. I had to change a character’s name toward the 3/4 mark of my book. But this time it was my daughter who was instrumental in this decision.

Make this task fun. I know, some things can be a chore if it takes to long. The trick is not to put too much pressure on yourself. There was a point in my book when I had to give my protagonist a title. I had absolutely no clue whatsoever what to give her. After racking my brain, I couldn’t come up with anything, I gave her a temporary title. I called her The One ( I still laugh at this). It worked though because, when I went back to it later (much later), I was able to give her the appropriate title of Triunifier. Relax your brain, write, and keep writing. The ideas are there. They just need coaxing to get them out.