Posted in Characterization

What Makes a Good Villain (Part 1)

Photo by Miggy Rivera on Pexels.com

Never underestimate your villain. They are more clever than you think they are. Creating them goes beyond having them do bad nasty things to your main character. Oh no. They go much deeper than that. They must know your MC well in order to know how to act against them. Part of the villain getting to know your MC means they must get to their weaknesses, AND they are well gifted at getting to know this information, AND they will know exactly how to use it against them.

Your villain is the architect of the inciting incident and the stories plot twists that follow. Their job is to create tension. Think of them as the mudslingers. They throw everything they can think of to thwart your MC.

Posted in Editing

The Binder

In December 2019 I wrote an article entitled Writing Stability. In that article I mentioned keeping a writing binder for the writing project you’re working on. It really doesn’t matter if you write by the seat of your pants or plan your novel out in advance, a binder to keep all of your information straight can only serve to help you.

Possible Sections to Include in Your Binder

  • Characters— This section will include everything about each of your characters. Possible types of information include: physical features, likes/dislikes, occupation, their role in the story, fears, character arcs, just to name a few. You could even create subsections for each character if you like.
  • Settings— Included here can be maps, setting descriptions, list of places and their significance, etc.
  • Story— I have a section in my binder with this label. What I use it for are ideas for my novel. Sometimes I’ll do a free write or I’ll write a quick plot summary for an idea.
  • Style Sheet— Here I keep a style sheet to keep the technical details consistent. For example, are you going to write your numbers out or not, make a list of words that MUST be capitalized consistently throughout, names and dates of events (It’s easy to lose track of this information when you’re writing). This is just a small list. What you decide you need to go in this section is up to you. When you’re editing later, this section will be your friend.
  • Doodling— This would be where you jot down any revision ideas or play around with language (If you’re writing fantasy, making up words can be fun).

You can always add to the above list. It depends on what kind of story you’re writing. I write urban fantasy, so I have additional sections such as, realms, fantasy creatures, photos, and questions. I love my binder because it frees up room in my head (kind of like a memory extension for my brain, LOL). If you don’t want to use a binder, a journal works well too. I’ve used both.

Posted in Characterization

Character Flaw

According to Wikipedia, a character flaw (sometimes called a fatal flaw) is as follows:


Character flaw – Wikipediaen.wikipedia.org › wiki › Character flaw

In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorders, vices, phobia, prejudice, or deficiency present in a character who may be otherwise very functional.

How do you choose a character flaw for your main character? That is up to you. I centered it around the story. Once you choose a flaw, how do you use it within the story? Is it just there throughout and that’s all and the character goes about their business within the story and never learns anything from circumstances or their actions, etc? If that’s the case, do we even have a story? No. Not really.

The protagonist in your story is supposed to learn along the way. Their character flaw inhibits this at first, but gradually he/she comes to realize they need to change in order for their mission/goal/quest to succeed. By the end of the book they will have overcome this flaw.

Example:

Let’s say you have a main character named Molly, who’s in high school. Her flaw is that she’s timid/shy. She doesn’t like confrontation or violence and prefers to avoid it at all costs. She doesn’t like to hurt the feelings of others, so she avoids situations where she might have to speak up and maybe make people angry. Therefore, she doesn’t speak up for herself either. So, how does she learn to overcome this and become stronger inside? How does she get others to stop picking on her? How does she speak up for the truth and defend her friend Johnny?

In the above example, you have to get Molly from point A to point B to point C to point D; point D being the end of the story where she finally speaks up and gets over her shyness. Getting from one point to the next will involve a series of events called trials and errors that will serve as learning opportunities for her grow, but she can’t do this without these trials and errors.

Posted in Characterization, Characterization

REAL Characters

In a previous article I wrote about creating characters for your story. I mentioned in that article that your characters must be as unique as possible. I also illustrated two lists of characteristics a writer can use to create characters. I am going to list them again here as a reference for you. There is a good reason, I promise.

  • Eye color
  • Hair color
  • Height
  • Weight
  • Ethnic heritage
  • Age
  • Birth date
  • Religious beliefs
  • Hobbies
  • Favorite color
  • Physical description
  • Political beliefs
  • Favorite music
  • Style of dress
  • Educational background
  • Description of home
  • Contents of wallet (this can say a lot about a person)
  • Habits

Digging Deeper

  • Strong character trait
  • Weak character trait
  • Best childhood memory
  • Worst childhood memory
  • One line summary of their personality
  • What triggers certain moods
  • What is their ambition
  • Sense of humor
  • What is his/her greatest hope
  • Character’s paradox
  • Character flaw
  • How does he/she see himself or herself
  • Philosophy of life

My goal in this article is to discuss HOW to use these traits to make your characters memorable and standout; to make them real. First, it’s one thing to describe in a story what a character’s traits are. It’s quite another to put this description to action. See examples below.

eg. 1. John had brown hair and blue eyes.
eg. 2. John swept his fingers through his brown, sweaty hair. He had been running the better part of an hour. His breathing labored, so he bent forward, leaning his hands on his knees. He blinked his blue eyes as sweat seeped into them. No matter though. The runners high is what he strove for, and he accomplished that.

As you can understand, example 2 gives a clearer picture of John. It makes him stand out as a human because we “see” him, and we come to know that he enjoys the sport of running. We readers can identify with him and how he’s feeling. Here is another quick example. Say your main character has a habit of cracking his/her knuckles. Don’t just mention in the story that they do this. Use this habit in an action. Maybe he/she cracks their knuckles when their nervous, or maybe it helps them think more clearly. Hey, you never know.

Another way we can use character traits to make characters real is to make one of those traits part of the story itself. Take religious beliefs for example. Maybe your story is about two people who are at odds with each other because of their religious beliefs. In the end they make it work somehow. Or, your main character may have a unique sense of humor. Work this into the plot. Use it to distract the antagonist at some point. Again, you never know.

Lastly, I’d like to hit on character flaw. THIS is a trait that every protagonist (and antagonist) must have. It’s what moves your main character forward and helps with their inner growth. I’m referring to the character arch here. The protagonist could have a character flaw such as being severely stubborn, to the point that their stubborness gets in the way of them accomplishing their goals. Yes, your MC will learn how to overcome this by the end of the story (that topic is for another blog post). BUT, it also makes them more real, allowing he/she to stand out.

In closing, how well we depict our characters in our stories depends on how we use their information to their advantage. Rich, well “seen” story people will give your reader a reason to come back to the story and want more. So, let’s give them something they will never forget.

Posted in Fiction, Writing

The Writer’s Way

Is there one correct way to write a novel? I say no…….there isn’t. Are there elements of a novel that must be used? Yes…….there is. How do these two entities go together? It’s simple. You take the required elements and use them in a way that suits you and your writing style. Everybody is different, so the way in which we go about writing our book will be different. If you don’t know how you yourself would write a novel, then learn the different methods that have worked for other writers, try them out and go with what suits you. It’s a learning process and might take you a while to figure out what works for you. But it might not take you long at all.

A very important aspect to know is whether or not you are a “pantser” (you make the story up as you go along with no planning) or an out-liner/planner. Now, I’ve come to discover that you can be a little of both. I’m a little of both. I didn’t know this of course until I tried each style and found it difficult to use just one. The one I use at the time I’m writing depends on the part of the story I’m writing. When I get stuck, then I go to planning and thinking, which gets the wheels turning again. Then I’m back to pantsing.

Another important part to note is setting. People like pictures. When we were little, we started out reading picture books and many of our children’s books have pictures. Gradually as we get older, the pictures in the books become less and less. Eventually, all we have are words and it’s up to us to create the pictures in our minds as we’re reading. BUT the author plays a huge role in this part because they are the ones who are creating the pictures for us to see. They’re just not doing it with pictures, instead they’re doing it with words. HOW they do this is up to them. It’s their style of creating that contributes to creating the settings depicted in their novels. You will figure this out as well. I can’t tell you how, but I can give you ideas about how I go about do it. But that’s for another blog post.

Lastly, I wanted to touch on the creation of characters. I know how I do it, but I only figured out how to do this by reading how others did it, and used what worked for me. I combined that with a few of my own ideas. So much goes into the creating of a character. We are complex individuals and so are your characters. They have to be complex if they’re going to be believable. In my mind: who a character is on the inside + who a character is on the outside (actions and what they say) = a believable and complex character. See my earlier blog post from May 12 entitled Character Building for more information on this topic.

In the end, it’s YOUR story. Make it yours. Write it YOUR way, but by all means learn from others. Through it all, you will find your style and what works for you.

Thank You So Much For Stopping By My Blog. Please Share This Blog/Blog Posts. I Welcome Everyone.

Posted in Fiction

Character Building

So much goes into the creation of a storybook character. The goal is to make them as unique as possible so that they stand out to the reader, making them memorable. But to do this you must build them from the ground up. Go from simple to complex. The more complex the character, the more real they become. After all, humans are complex creatures aren’t we?

As a writer and a human, we are all different and have different writing styles and ways of doing things. This method I am about to show you is my way, so take it and mold it into YOUR way. What you’ll notice after you compile all of the information about your characters, is that you won’t use all of it in your story. BUT you will have it in case you DO need it later. Maybe you want to write a book series, so information regarding your character that you didn’t use in the first book might come in handy in later books.

Beginning (Simple): Brainstorm a list of characteristics. These items are more on the surface and feel free to add to it. My list, should I put it all here, would be extremely lengthy.

  • Eye color
  • Hair color
  • Height
  • Weight
  • Ethnic heritage
  • Age
  • Birth date
  • Religious beliefs
  • Hobbies
  • Favorite color
  • Physical description
  • Political beliefs
  • Favorite music
  • Style of dress
  • Educational background
  • Description of home
  • Contents of wallet (this can say a lot about a person)
  • Habits

Digging Deeper: Here again, feel free to add your own ideas to this list

  • Strong character trait
  • Weak character trait
  • Best childhood memory
  • Worst childhood memory
  • One line summary of their personality
  • What triggers certain moods
  • What is their ambition
  • Sense of humor
  • What is his/her greatest hope
  • Character’s paradox
  • How does he/she see himself or herself
  • Philosophy of life
  • Character flaw (This is essential to the story because at one point he/she realizes this flaw and is able to overcome it. That’s integral in creating their character arc and accomplishing the story goal)

I keep this list written down in my binder and on my computer. It serves me well throughout the writing of my book. I add to it along the way too. Have fun with it.

Character Name: I created the details of my character before I came up with a name. By doing this I was better able to find a name that suited the description of my character. Some names elicit certain unspoken character traits. At least they do to me. For one of my male characters I ended up changing his name two times. I wasn’t happy with his character, so I tweaked it and changed some things, like his reaction to certain events and people. Then I found a better name that fit. You will have your own way of plugging away through this process. That’s good. Make it your own and happy creating.