Posted in Editing

The Binder

In December 2019 I wrote an article entitled Writing Stability. In that article I mentioned keeping a writing binder for the writing project you’re working on. It really doesn’t matter if you write by the seat of your pants or plan your novel out in advance, a binder to keep all of your information straight can only serve to help you.

Possible Sections to Include in Your Binder

  • Characters— This section will include everything about each of your characters. Possible types of information include: physical features, likes/dislikes, occupation, their role in the story, fears, character arcs, just to name a few. You could even create subsections for each character if you like.
  • Settings— Included here can be maps, setting descriptions, list of places and their significance, etc.
  • Story— I have a section in my binder with this label. What I use it for are ideas for my novel. Sometimes I’ll do a free write or I’ll write a quick plot summary for an idea.
  • Style Sheet— Here I keep a style sheet to keep the technical details consistent. For example, are you going to write your numbers out or not, make a list of words that MUST be capitalized consistently throughout, names and dates of events (It’s easy to lose track of this information when you’re writing). This is just a small list. What you decide you need to go in this section is up to you. When you’re editing later, this section will be your friend.
  • Doodling— This would be where you jot down any revision ideas or play around with language (If you’re writing fantasy, making up words can be fun).

You can always add to the above list. It depends on what kind of story you’re writing. I write urban fantasy, so I have additional sections such as, realms, fantasy creatures, photos, and questions. I love my binder because it frees up room in my head (kind of like a memory extension for my brain, LOL). If you don’t want to use a binder, a journal works well too. I’ve used both.

Posted in Editing

Filler Words

Those pesky filler words don’t need to be there. Get them out of your writing. You just don’t need them. They only serve to take away from and weaken your story. If you think you even need them, think again. We always think we know best. Trust me, we don’t.

The above paragraph has filler words in them. They’re the ones in bold face print. I put them in there on purpose to prove a point. To prove my point, I’m going to retype it and take them out. You’ll see how much better it sounds.

Those pesky filler words don’t need to be there. Get them out of your writing. You don’t need them. They serve to take away from and weaken your story. If you think you need them, think again. We think we know best. Trust me, we don’t.

Sometimes you will need to use them. After all, they are part of the English language and they are there for a reason. The problem is we tend to use them to much. When they’re used too much, that’s when they weaken your writing. When I was editing my novel The Triunix of Time, I had a list of these words to look for in my story. I went through my book and looked for each one of them one at a time and checked them off as I finished with one, then I went on to the next. Don’t worry, I used the Find option in Microsoft Word. It found them all in an instant. As it turned out, I initially used the word just 350 times. Talk about over use. Please see the grid below for a list of the most used filler words.

Editing Notes: A Filler Word Extravaganza | elena johansen

So, how do you know you need to use them? Say the sentence without the filler word in it. If it still makes sense, you don’t need it.

If you have any questions please feel free to message or email me. I enjoy helping others with their writing.

Posted in Editing

Adverbs

Those pesky adverbs can be a real bear. Lately I’ve read some great fiction. The story drew me in, the characters were memorable, the description was detailed without being to much. I loved it. But then throughout the experience there were stopping points. Yes, stopping points. What were these stopping points? They were ADVERBs. Turn an adverb into action. Note the difference below:

Example 1:
Ok
a. He walked quickly down the street, his footing unsure.

Better
b. He rushed down the street, his footing unsure.

Example 2:
Ok
a. John was painfully digging in his backpack for his wallet, when he didn’t feel it in his pocket.

Better
b. John plunged into his backpack for his wallet, when he didn’t feel it in his pocket.

As you can tell in both examples, b. is the better option. We see the actions better and their impact packs more of a punch.

Posted in Editing

First Draft Woes

The first draft of your manuscript can be rather turbulent. I get it. Really I do. When it’s finished, you look it over and think, “Uh oh, I don’t like this at all.” Two things you can do here. You can either chuck it altogether, or you can use it. Whatever you do, DON’T CHUCK IT. Why? I say this because, even if you don’t use some of it, part of it you will/can use. You can also use the whole thing but polish it up some or a lot. Only you know your story, so only you know how to fix it. In the end, you will have learned more as a writer, and your story will have grown and developed in ways you would not have imagined. If need be, walk away from it for a while. Take a break, think of other things. Then, go back to it.

I remember when I lost part of my manuscript when I was transferring if from my desktop to my new laptop. I was blindsided and distraught. I put the whole thing down and vowed I wouldn’t go back to it. Eventually, I did go back to it, and I made it better. The ideas flowed, big changes were made, and the story became more clear as it relates to where I wanted to go with it. So something bad can turn into a blessing if you let it.