Characterization – Page 3 – WRITE TIME AND AGAIN

Villains (Part III)

Posted on October 8, 2021 by L. M. Montes

You’re running in a race. You’re ahead. But, in order to keep your lead you must keep going strong. If you let up even once, you risk losing or falling behind. Think of your villain as running in a type of race. It’s the kind of race where he/she is coming at your main character (MC) and not letting up (remember, this is their job). So much so, that your MC gets kicked back down before they get even half way back up. Your villain is on a roll. They can’t stop because, if they do, they run the risk of losing and the MC overtaking them.

Think of many different ways for your villain to trip up your MC. Think outside the box. I am currently reading a set of books by Jeff Carson. They’re David Wolf mysteries. OH MY GOSH!!! Talk about heart pounding suspense. The villain(s) never let up. Often times, while in the middle of one of these books, I couldn’t stand the suspense any longer, so I went to Amazon and read the summary of the next book. Doing this reassured me things would turn out ok in the current book I was reading. Then I would start the next book right after the one I finished and go through the cycle all over again.

What caused this mind blowing suspense? The villain(s). AND, in most cases there were more than one. All from multiple subplots and all out to get the MC. If you want a great example of a true villain(s), read those books. You can find them on Amazon. See the link below for book 1:

Foreign Deceit by Jeff Carson

Characterization

Villains (Part II)

Posted on October 5, 2021October 5, 2021 by L. M. Montes

Photo by Tima Miroshnichenko on Pexels.com

Have you ever played chess? If you have, you know that it’s imperative to stay one or more moves ahead of your opponent in order for you to have a chance at winning the game. The same goes for the villain in your story. They must always be thinking ahead of the main character. They have to do this so they are doing their job within the story. Otherwise they won’t be believable. Villains are devious. They plot and scheme, making your main character’s life miserable. They love it when the main character is down because that’s when they have a better opportunity to take advantage of them.

To best get a hold of your villain and understand him/her, do a character analysis of them just like you would your main character. They are three dimensional characters too and come with their own set of “baggage”. What in their life infected them so? To the point they are so nasty and evil?

In this character bio also include (and most importantly) a list of ways they can stay ahead of the MC. You might not use all of your ideas. That’s ok. Work what you can into your story. If you are the kind of person that doesn’t like to think in terms of evil, don’t worry about that. It’s only fiction.

Characterization

What Makes a Good Villain (Part 1)

Posted on October 3, 2021October 2, 2021 by L. M. Montes

Never underestimate your villain. They are more clever than you think they are. Creating them goes beyond having them do bad nasty things to your main character. Oh no. They go much deeper than that. They must know your MC well in order to know how to act against them. Part of the villain getting to know your MC means they must get to their weaknesses, AND they are well gifted at getting to know this information, AND they will know exactly how to use it against them.

Your villain is the architect of the inciting incident and the stories plot twists that follow. Their job is to create tension. Think of them as the mudslingers. They throw everything they can think of to thwart your MC.

Characterization

Voice

Posted on September 21, 2021 by L. M. Montes

Photo by Andrea Piacquadio on Pexels.com

When I am reading a work of fiction, I hear the voices of the character in my mind. No, I don’t hear voices literally. I imagine I hear them. That’s quite different. But, when I hear each of them as I’m reading, they all sound different. I hear them that way because the author did such a good job with creating a voice for each individual character that they all sound different.

So how do we make our fictional characters sound different? It comes down to choice of words and how those words are said. I think body language/facial expression also plays a part in that it helps with how the words are intended when spoken on the page in your dialogue. Think of their character too. Is how they speak out of character for them. If so, why?

Look at the different ways to say something.

Example:
“You heard that? Really? I didn’t think I was that loud,” said Bill.

“Hey ya. Serious now, ya’ll hear that? How? Not like I was ‘at loud or nothin,” said Bill.

Play around with your words. See your character in your mind. Imagine them talking. How are they saying what their saying?

Characterization

Character Flaws

Posted on January 18, 2021 by L. M. Montes

What holds you back? What is one of your character traits that works against you more often than you care to admit.

Are you:

Stubborn
Anxious
Naïve
Arrogant
Selfish
Paranoid
Gullible

When I was younger, and for many years, I was very naïve. I hadn’t had the experiential knowledge of many things that would have allowed me to make the correct decisions. In other words, I hadn’t learned anything about life. Worse yet, it took me a while to get past that naivety. Some individuals learn life’s lessons quicker because they are willing to rely on new information without letting their own opinions get in the way. Well…I wasn’t one of those people. I had a stubborness to me which made me more headstrong than most. The result is that I didn’t listen to good advice. Because I didn’t listen, I ended up hurt (not physically, but a lesson learned type of thing). It cost me financially at one point. That was one instance. Another example came in the form of a relationship. I became involved with someone I had no business getting involved with. I let my heart guide me and not my common sense and certainly not the advice of others to the contrary.

I should have listened to what others were saying. I should have listened to that conscience of mine. But I didn’t. I truly though I knew better. I learned my lessons in the end, but it took a long time to get to that point. It shouldn’t have taken that long, but it did. The silver lining came when I FINALLY learned. When I learned my lesson, that’s when things started to change for the better. I now knew how to avoid those missteps. I knew what to look for. My story changed and the ending was GREAT.

My character flaws at the beginning were naivety and stubborness. Over the course of my life (or story), I was presented with challenges that created setbacks based on my own behavior (character flaws). In the middle of it all, once I ended up hurt, these instances made me rethink what I was doing. I was able to go back in my mind and go over what wasn’t working, THEN I was better able to correct and attack my issues head on and take them in a more positive direction by changing my behavior. THIS IS THE PATH YOU MUST TAKE YOUR CHARACTERS ON when you are writing you story/novel/book. The character flaw(s) in your main character is a large part of what carries them on their journey throughout the story. If they don’t learn anything by the end of the book, how are they able to overcome the antagonist?

Characterization

Character Flaw

Posted on January 8, 2021 by L. M. Montes

According to Wikipedia, a character flaw (sometimes called a fatal flaw) is as follows:

Character flaw – Wikipediaen.wikipedia.org › wiki › Character flaw
In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorders, vices, phobia, prejudice, or deficiency present in a character who may be otherwise very functional.

How do you choose a character flaw for your main character? That is up to you. I centered it around the story. Once you choose a flaw, how do you use it within the story? Is it just there throughout and that’s all and the character goes about their business within the story and never learns anything from circumstances or their actions, etc? If that’s the case, do we even have a story? No. Not really.

The protagonist in your story is supposed to learn along the way. Their character flaw inhibits this at first, but gradually he/she comes to realize they need to change in order for their mission/goal/quest to succeed. By the end of the book they will have overcome this flaw.

Example:

Let’s say you have a main character named Molly, who’s in high school. Her flaw is that she’s timid/shy. She doesn’t like confrontation or violence and prefers to avoid it at all costs. She doesn’t like to hurt the feelings of others, so she avoids situations where she might have to speak up and maybe make people angry. Therefore, she doesn’t speak up for herself either. So, how does she learn to overcome this and become stronger inside? How does she get others to stop picking on her? How does she speak up for the truth and defend her friend Johnny?

In the above example, you have to get Molly from point A to point B to point C to point D; point D being the end of the story where she finally speaks up and gets over her shyness. Getting from one point to the next will involve a series of events called trials and errors that will serve as learning opportunities for her grow, but she can’t do this without these trials and errors.

Characterization, Characterization

REAL Characters

Posted on September 23, 2020 by L. M. Montes

In a previous article I wrote about creating characters for your story. I mentioned in that article that your characters must be as unique as possible. I also illustrated two lists of characteristics a writer can use to create characters. I am going to list them again here as a reference for you. There is a good reason, I promise.

Eye color
Hair color
Height
Weight
Ethnic heritage
Age
Birth date
Religious beliefs
Hobbies
Favorite color
Physical description
Political beliefs
Favorite music
Style of dress
Educational background
Description of home
Contents of wallet (this can say a lot about a person)
Habits

Digging Deeper

Strong character trait
Weak character trait
Best childhood memory
Worst childhood memory
One line summary of their personality
What triggers certain moods
What is their ambition
Sense of humor
What is his/her greatest hope
Character’s paradox
Character flaw
How does he/she see himself or herself
Philosophy of life

My goal in this article is to discuss HOW to use these traits to make your characters memorable and standout; to make them real. First, it’s one thing to describe in a story what a character’s traits are. It’s quite another to put this description to action. See examples below.

eg. 1. John had brown hair and blue eyes.
eg. 2. John swept his fingers through his brown, sweaty hair. He had been running the better part of an hour. His breathing labored, so he bent forward, leaning his hands on his knees. He blinked his blue eyes as sweat seeped into them. No matter though. The runners high is what he strove for, and he accomplished that.

As you can understand, example 2 gives a clearer picture of John. It makes him stand out as a human because we “see” him, and we come to know that he enjoys the sport of running. We readers can identify with him and how he’s feeling. Here is another quick example. Say your main character has a habit of cracking his/her knuckles. Don’t just mention in the story that they do this. Use this habit in an action. Maybe he/she cracks their knuckles when their nervous, or maybe it helps them think more clearly. Hey, you never know.

Another way we can use character traits to make characters real is to make one of those traits part of the story itself. Take religious beliefs for example. Maybe your story is about two people who are at odds with each other because of their religious beliefs. In the end they make it work somehow. Or, your main character may have a unique sense of humor. Work this into the plot. Use it to distract the antagonist at some point. Again, you never know.

Lastly, I’d like to hit on character flaw. THIS is a trait that every protagonist (and antagonist) must have. It’s what moves your main character forward and helps with their inner growth. I’m referring to the character arch here. The protagonist could have a character flaw such as being severely stubborn, to the point that their stubborness gets in the way of them accomplishing their goals. Yes, your MC will learn how to overcome this by the end of the story (that topic is for another blog post). BUT, it also makes them more real, allowing he/she to stand out.

In closing, how well we depict our characters in our stories depends on how we use their information to their advantage. Rich, well “seen” story people will give your reader a reason to come back to the story and want more. So, let’s give them something they will never forget.