Posted in Characterization

Character Flaw

According to Wikipedia, a character flaw (sometimes called a fatal flaw) is as follows:


Character flaw – Wikipediaen.wikipedia.org › wiki › Character flaw

In the creation and criticism of fictional works, a character flaw or heroic flaw is a bias, limitation, imperfection, problem, personality disorders, vices, phobia, prejudice, or deficiency present in a character who may be otherwise very functional.

How do you choose a character flaw for your main character? That is up to you. I centered it around the story. Once you choose a flaw, how do you use it within the story? Is it just there throughout and that’s all and the character goes about their business within the story and never learns anything from circumstances or their actions, etc? If that’s the case, do we even have a story? No. Not really.

The protagonist in your story is supposed to learn along the way. Their character flaw inhibits this at first, but gradually he/she comes to realize they need to change in order for their mission/goal/quest to succeed. By the end of the book they will have overcome this flaw.

Example:

Let’s say you have a main character named Molly, who’s in high school. Her flaw is that she’s timid/shy. She doesn’t like confrontation or violence and prefers to avoid it at all costs. She doesn’t like to hurt the feelings of others, so she avoids situations where she might have to speak up and maybe make people angry. Therefore, she doesn’t speak up for herself either. So, how does she learn to overcome this and become stronger inside? How does she get others to stop picking on her? How does she speak up for the truth and defend her friend Johnny?

In the above example, you have to get Molly from point A to point B to point C to point D; point D being the end of the story where she finally speaks up and gets over her shyness. Getting from one point to the next will involve a series of events called trials and errors that will serve as learning opportunities for her grow, but she can’t do this without these trials and errors.

Posted in Fiction

Character Names

What’s in a name? When we name our kids, we want to make sure we give him or her the right name. We want it to mean something. We want it to sound right. Maybe the child will be named after someone we admire? The process can be very simple or it can be long and tedious. The same can be said for story characters. I believe this is especially true for story characters.

In my novel The Triunix of Time my main character started out with the name Amanda. The antagonist started out with the name Dominick. Yes, I still laugh at that. At the time I named my main character I didn’t have a clear focus on where exactly my story line was going. I had an idea, but it wasn’t solid. Amanda was the only name that popped in my head at the time. It seemed like a nice name, so I chose it. Then, I realized I didn’t know how to take my story and carry it through to the end. I didn’t have a road map, and, because I didn’t have a road map, I didn’t have a clear focus about what my main character’s name should be. Yes, the two should go together, but in a way that blends. You don’t want to create a stereotype, so stay away from the name Biff for a tough guy. There are better names to give him that aren’t so obvious.

Since I needed to learn about story structure, I put my manuscript down for a while and did some research. In my research, I discovered the three act structure. I won’t go into the particulars on this. That’s for another post entirely. I delved into this structure and learned everything about it. I focused on what types of information and scenes are placed into each act. Once I learned this, I had a road map for my story. THEN, I picked it back up, I wrote my ideas into a journal. I brainstormed and visualized, and right in the middle of it all I also realized my main character’s name had to change.

I deleted the name Amanda and went on Google. BUT, I didn’t just look at names to look at names. What I did was look at names and their meanings. I wanted to choose a name that meshed with my main character’s goal and who she was as a person. I wouldn’t have been able to do this without knowing what the story was going to be. I needed to have that first. As it turned out, I did something VERY unique with her name. I’d tell you but that would give away part of the story.

My antagonist I worked much the same way. I needed to know what his motivations were. He was a bad guy but that’s all I knew. At first I gave him the name of Dominick. Here again, this was before I had a clear story line, so I was stuck. Once I learned story structure, I had a name for him; a nick name. It isn’t until later in the story that I dubbed him with a regular name outside of the nick name. (Laughing) He wasn’t happy with me either. I didn’t care. It worked and he was stuck with it. Here again, his nick name and his regular name also meshes with the story line.

So, give some real thought about your character’s names. Research and know your story. Jot down notes here and there that you can refer to later if you need to. Enjoy the process.

Posted in Fiction, Writing

The Writer’s Way

Is there one correct way to write a novel? I say no…….there isn’t. Are there elements of a novel that must be used? Yes…….there is. How do these two entities go together? It’s simple. You take the required elements and use them in a way that suits you and your writing style. Everybody is different, so the way in which we go about writing our book will be different. If you don’t know how you yourself would write a novel, then learn the different methods that have worked for other writers, try them out and go with what suits you. It’s a learning process and might take you a while to figure out what works for you. But it might not take you long at all.

A very important aspect to know is whether or not you are a “pantser” (you make the story up as you go along with no planning) or an out-liner/planner. Now, I’ve come to discover that you can be a little of both. I’m a little of both. I didn’t know this of course until I tried each style and found it difficult to use just one. The one I use at the time I’m writing depends on the part of the story I’m writing. When I get stuck, then I go to planning and thinking, which gets the wheels turning again. Then I’m back to pantsing.

Another important part to note is setting. People like pictures. When we were little, we started out reading picture books and many of our children’s books have pictures. Gradually as we get older, the pictures in the books become less and less. Eventually, all we have are words and it’s up to us to create the pictures in our minds as we’re reading. BUT the author plays a huge role in this part because they are the ones who are creating the pictures for us to see. They’re just not doing it with pictures, instead they’re doing it with words. HOW they do this is up to them. It’s their style of creating that contributes to creating the settings depicted in their novels. You will figure this out as well. I can’t tell you how, but I can give you ideas about how I go about do it. But that’s for another blog post.

Lastly, I wanted to touch on the creation of characters. I know how I do it, but I only figured out how to do this by reading how others did it, and used what worked for me. I combined that with a few of my own ideas. So much goes into the creating of a character. We are complex individuals and so are your characters. They have to be complex if they’re going to be believable. In my mind: who a character is on the inside + who a character is on the outside (actions and what they say) = a believable and complex character. See my earlier blog post from May 12 entitled Character Building for more information on this topic.

In the end, it’s YOUR story. Make it yours. Write it YOUR way, but by all means learn from others. Through it all, you will find your style and what works for you.

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Posted in Fiction

Inspiration

Story ideas
Posted in Fiction

Character Building

So much goes into the creation of a storybook character. The goal is to make them as unique as possible so that they stand out to the reader, making them memorable. But to do this you must build them from the ground up. Go from simple to complex. The more complex the character, the more real they become. After all, humans are complex creatures aren’t we?

As a writer and a human, we are all different and have different writing styles and ways of doing things. This method I am about to show you is my way, so take it and mold it into YOUR way. What you’ll notice after you compile all of the information about your characters, is that you won’t use all of it in your story. BUT you will have it in case you DO need it later. Maybe you want to write a book series, so information regarding your character that you didn’t use in the first book might come in handy in later books.

Beginning (Simple): Brainstorm a list of characteristics. These items are more on the surface and feel free to add to it. My list, should I put it all here, would be extremely lengthy.

  • Eye color
  • Hair color
  • Height
  • Weight
  • Ethnic heritage
  • Age
  • Birth date
  • Religious beliefs
  • Hobbies
  • Favorite color
  • Physical description
  • Political beliefs
  • Favorite music
  • Style of dress
  • Educational background
  • Description of home
  • Contents of wallet (this can say a lot about a person)
  • Habits

Digging Deeper: Here again, feel free to add your own ideas to this list

  • Strong character trait
  • Weak character trait
  • Best childhood memory
  • Worst childhood memory
  • One line summary of their personality
  • What triggers certain moods
  • What is their ambition
  • Sense of humor
  • What is his/her greatest hope
  • Character’s paradox
  • How does he/she see himself or herself
  • Philosophy of life
  • Character flaw (This is essential to the story because at one point he/she realizes this flaw and is able to overcome it. That’s integral in creating their character arc and accomplishing the story goal)

I keep this list written down in my binder and on my computer. It serves me well throughout the writing of my book. I add to it along the way too. Have fun with it.

Character Name: I created the details of my character before I came up with a name. By doing this I was better able to find a name that suited the description of my character. Some names elicit certain unspoken character traits. At least they do to me. For one of my male characters I ended up changing his name two times. I wasn’t happy with his character, so I tweaked it and changed some things, like his reaction to certain events and people. Then I found a better name that fit. You will have your own way of plugging away through this process. That’s good. Make it your own and happy creating.

Posted in Fiction

Writing Struggles

For fiction writers everywhere:

No matter where we are on our writing journey, there is something we all struggle with. Whether it’s one thing or a compilation of a few things, it’s there sticking up out of nowhere. Recently, one of my followers on Twitter posed this question. What do you struggle with in your writing? I couldn’t honestly answer this question because I don’t usually struggle with any one thing in particular, and what I struggle with varies at different points in my writing. What do you do with it? How do you work with it?

Sometimes the problem has to do with not knowing when you should use dialogue and when you shouldn’t. I don’t think there is any one right answer for this. I use dialogue when the story calls for it. When I am writing I get this ‘itch’. This ‘itch’ is a strong feeling dialogue is needed or description or exposition is called for. For me it’s a feeling of just knowing. This doesn’t mean I am right every time. I do go back and realize later that I need to cut back on something. That’s okay. It really is up to you as the author when you use a device and when you don’t. It’s your story.

Character arc is another big one. How are we going to show our protagonists growth from beginning to end? Yes. Yes. This is huge. To make the story and your character believable there needs to be growth in this character from beginning to end. What in the story itself causes your protagonist’s grow? The story movement depends on how your character acts, reacts, makes choices, etc… Are your characters afraid and unsure of themselves from beginning to end? I hope not. They may be apprehensive at the beginning, but by the end of the story they should be braver or brave enough to bring down the antagonist. Larry Brooks, in his book Story Engineering: Mastering the 6 Core Competencies of Successful Writing devotes a whole part to character. In fact it’s number 2 out of the 6 core competencies. I highly recommend this book.